Humphry Davy, Poet and PhilosopherThorpe, T. E. (Thomas Edward)
Science
Humphry Davy, Poet and Philosopher
Thorpe, T. E. (Thomas Edward)
Davy, Humphry, Sir, 1778-1829
Although Davy, by his earnestness, his knowledge, his felicity of
expression, and by a certain dignity of treatment which seemed to
invest even the homeliest subjects with unlooked-for importance, could
interest an audience on almost any subject he brought before them,
we may be sure that his soul soon sighed for a loftier theme than
leather. He found it on the occasion of his lecture of January 21st,
1802, when he delivered the introductory discourse of that session. The
date, indeed, is a red-letter day not only in Davy’s history but also
in that of the Royal Institution. From that time the position of the
Institution in the scientific and social world of London would seem to
be assured.
Its affairs up to this time had been gradually going from bad to worse.
The enthusiasm with which it was started a couple of years back had
apparently spent itself, and Rumford, by his _hauteur_ and high-handed
management, had alienated many powerful friends. The subscriptions,
which in 1800 had reached £11,047, had fallen in 1802 to £2,999, whilst
the expenses were annually increasing. The outlook was gloomy in the
extreme, and everything seemed to portend that the latest scheme for
the amelioration of humanity was about to share the too common fate of
such projects. The young man of twenty-three, however, changed all this
as if by the stroke of a magician’s wand. No Prince Fortunatus could
have done more.
His theme was not too ambitious; it would be considered even trite
and commonplace to-day, and the man would be very bold or very simple
who would now attempt to deal with it in the theatre of the Royal
Institution; for this introductory lecture was nothing more than an
exordium on the worth of science as an agent in the improvement of
society. It was, and was felt to be, however, an _apologia_ for the
very existence of the Institution. Rumford and his fellow managers
would seem to have staked everything on a single throw. Davy’s power as
a lecturer had been noised abroad, and we may be sure that Coleridge
and his other friends did not keep their tongues still. Coleridge,
indeed, told the literary world that he assiduously attended Davy’s
lectures, to increase his stock of metaphors. The youth who had
discovered “the pleasure-producing air” was talked about in fashionable
circles; and Mr. Bernard and the Count used their persuasiveness, and
Sir Joseph Banks his social power, to secure for him the most cultured
audience in London. If we may credit Dr. Paris, other influences, too,
were at work. Davy’s association with Beddoes had probably gained for
him the goodwill of the Tepidarians, even if it did not actually
give him the _entrée_ to the Society; and these Red Republicans,
whose “pious orgies” at Old Slaughter’s Coffee-House in St. Martin’s
Lane consisted mainly in libations of tea, vied with the Royalists in
their efforts to pave his triumphal way. His success was instant and
complete. In a series of lofty and impassioned periods he traced the
Public-domain text, read in full here on John Shaqi.
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