Time went. I settled down to doze, waxed tired, and a little shiver ran
down my back. A while after I felt that my eyelids began to droop, and
I let them droop....
When I awoke it was dark all around me. I started up, bewildered and
freezing. I seized my parcel and commenced to walk. I went faster and
faster in order to get warm, slapped my arms, chafed my legs--which by
now I could hardly feel under me--and thus reached the watch-house of
the fire brigade. It was nine o'clock; I had been asleep for several
hours.
Whatever shall I do with myself? I must go to some place. I stand there
and stare up at the watch-house, and query if it would not be possible
to succeed in getting into one of the passages if I were to watch for a
moment when the watchman's back was turned. I ascend the steps, and
prepare to open a conversation with the man. He lifts his ax in salute,
and waits for what I may have to say. The uplifted ax, with its edge
turned against me, darts like a cold slash through my nerves. I stand
dumb with terror before this armed man, and draw involuntarily back. I
say nothing, only glide farther and farther away from him. To save
appearances I draw my hand over my forehead, as if I had forgotten
something or other, and slink away. When I reached the pavement I felt
as much saved as if I had just escaped a great peril, and I hurried
away.
Cold and famished, more and more miserable in spirit, I flew up Carl
Johann. I began to swear out aloud, troubling myself not a whit as to
whether any one heard me or not. Arrived at Parliament House, just near
the first trees, I suddenly, by some association of ideas, bethought
myself of a young artist I knew, a stripling I had once saved from an
assault in the Tivoli, and upon whom I had called later on. I snap my
fingers gleefully, and wend my way to Tordenskjiolds Street, find the
door, on which is fastened a card with C. Zacharias Bartel on it, and
knock.
He came out himself, and smelt so fearfully of ale and tobacco that it
was horrible.
"Good-evening!" I say.
"Good-evening! is that you? Now, why the deuce do you come so late? It
doesn't look at all its best by lamplight. I have added a hayrick to it
since, and have made a few other alterations. You must see it by
daylight; there is no use our trying to see it now!"
"Let me have a look at it now, all the same," said I; though, for that
matter, I did not in the least remember what picture he was talking
about.
"Absolutely impossible," he replied; "the whole thing will look yellow;
and, besides, there's another thing"--and he came towards me,
whispering: "I have a little girl inside this evening, so it's clearly
impracticable."
"Oh, in that case, of course there's no question about it."
I drew back, said good-night, and went away.
Public-domain text, read in full here on John Shaqi.
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