World War, 1914-1918 -- Personal narratives, Canadian
Our aeroplane hovered over us at a comparatively low elevation. Its
work was certainly very dangerous as it was liable to get in the way
of the trajectory of the shells both from the enemy and ourselves.
Our signallers had instructions not to delay an instant sending the
required signals. The contact patrol aeroplanes are slow-going machines
as a rule. Ours was distinguished by two long streamers attached to
struts of the wings of the machine. The observer is seen hanging over
the side of the fuselage, tooting a Claxton horn in a series of dots
and dashes, and watching every movement we make. He must circle around
continually, as he cannot stop his aeroplane.
For three weeks we practised going over the tapes. On the night of the
6th of April, the officers were informed that our Brigadier General
would be over to inspect the battalion on the morning of the 7th. We
were pleased to inform our boys of this news, as we all knew that the
visit of the Brigadier General meant we were to go in the line for
attack very soon. Every officer and man was keyed up to concert pitch
with excitement. We had no thoughts of death--we were to do a man's
work in a man's way, and we were all eager for the fray. Many times
we had observed the German front line trenches through our periscopes
in daylight. At times we had raided small sectors of their front line
trench at night, and this front line and the other trenches in the
rear were soon to be captured and occupied by us.
That night, three officers and one hundred men were sent up the line to
dig the jumping-off trench for our battalion. This trench was to be dug
in No Man's Land a short distance in front of our front line trenches
and well clear of our barbed-wire entanglements. The night before the
attack we had to crawl out of our front line trenches, through our
barbed wire, and then into this jumping-off trench and lie there until
the "Zero Hour." The Germans did not dream we would be so near to them.
Public-domain text, read in full here on John Shaqi.
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