Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
History
Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
might be called for, under the right conditions, in the matter of
Hurrell Froude’s edited correspondence. It will be seen, on the whole,
that neither close study nor long acquaintance with the subject could
keep the reprinting, as it pressed forward, from degenerating into
more or less of a game of guesswork. Yet exclusions and limitations
may cast a befitting half-light upon used literature of long ago,
which was in itself elliptical, and tends to create new ellipses,
inasmuch as its purpose now is to throw stress less on historic or
theological issues than on human character. Many given data, or few,
yield pretty much the same residuum when the personality which reigns
over them is as rich and strong as Hurrell Froude’s. Says one of the
most penetrating of modern writers:
‘The art of biography has accustomed those who read to expect … as the
word implies, the portrayal of a life, of a process: the record of the
growth and unfolding of a soul and character. This it is which
interests the subjective temper of our days…. Our mind has learnt that
its choicest food need not be sought from afar, but lies scattered
with the wild flowers by the wayside, and that nothing is so
extraordinary as the ordinary. Thus we have come to care less for a
full inventory of the events which make up a man’s life, or for the
striking nature of those events in themselves, than for such a
judicious selection and setting of them as shall best bring out and
explain that individuality which is our main interest. We care less
for what a man does and more for what he is; and it is mainly as a key
to what he is that we study the circumstances which act upon him, and
the conduct by which he reacts upon them.’[2] A selection and setting
to explain individuality: such is the aim, such (it is to be feared)
is only very partially the achievement, of this book.
Public-domain text, read in full here on John Shaqi.
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