The novel with a purpose, and especially with a religious purpose, fails only, when it does fail, because the author’s knowledge of the average man in his sins and his temptations to sin, is altogether incommensurate with his familiarity with the great religious and social problems of which his story would suggest a solution. It is often supposed that the men do not care to find the subject of religion introduced in fiction, that they resent religion in a novel, as children resent the administration of a medicinal powder in a spoonful of jam; but the expert witness of publishers demolishes this opinion. After all, the religious claim is insistent, and life is untruly depicted when men and women are described in a story as uninfluenced by it. There is something unreal in a book which has no Sundays in it. Critical opinion as expressed in the notices of books in the daily papers, and in more weighty reviews, is very misleading, simply because the reviewers are generally very young men or women who know more or less of literature but very little of life. The wrath of the young man fresh from the University at the success of those books which do not ignore the spiritual needs of men and women amuses the experienced author. “Faugh!” cries Mr. Jones of Balliol; “another batch of sin and sentiment!” “The Christian creed and the conjugal copula! Religion and Patchouli!” Yet the critic forgets that those who would reach the minds and hearts of men must deal with the problems of creed and character which men have to solve, each one for himself.