Our censors, dilettante, delicate-handed, with their canons of
criticism might do worse than reckon up the number of English novels
which have lived on into the twentieth century. They will be surprised
to find that they are nearly all novels with a purpose and a religious
purpose for their “motif.” Charles Reade when he wrote _Never too late
to mend_, not only helped forward the humane and intelligent treatment
of criminals, he showed how the Divine Image was stamped indelibly on
human nature, and where it seemed to be obliterated could be restored.
But Charles Reade drew real men and women. His characters are not
puppets of the play-house but are alive. And Thackeray--_Clarum et
venerabile nomen_--making hypocrites his quarry, and raining his
quiver full of satiric shafts upon the hateful crew, never scoffed for
a moment at reverent things, but with bowed head and hushed footsteps
passed by the sanctuary. Therefore, these men are still living forces.
Men will read other novels of the past as women look at old-fashion
plates, and amuse themselves with the differences and contrasts of
succeeding generations, but the novels which men buy in their hundreds
of thousands, the novels which are reprinted again and again, the
novels for which the publishers wait as their copyright is expiring,
like heirs expecting a rich man’s death, that each may endeavour to be
first in the field with an edition which pays no royalty to the
author; these novels are those which truly represented life as it
seemed in other days, life seeking ever to be reassured that One has
come who offers to those who walk in darkness the light of life.
It is exasperating to some minds to discover that the man of the world
is not altogether worldly, and that he finds in books which recognize
religion as a considerable part of man’s life, something which gives
to them reality and truth. Immature minds and inexperienced penmen are
not impressed by the things which really matter, and in the interval
between the University and man’s settlement in life much nonsense is
written and spoken.
I speak from personal experience; and when I look back upon the
reviews I wrote ten years ago, it is with invariable consternation,
and sometimes a real sense of shame.
Public-domain text, read in full here on John Shaqi.
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