London (England) -- Fiction; Satire; Suffragists -- Fiction
The suffragette sat down upon an isolated chair.
“May I have a dance?” asked the gardener of Courtesy. “I can’t dart or
stagger, only revolve.”
“I was sea-sick only three hours ago,” retorted Courtesy with
simplicity. “But I have a lot to talk to you about, so you can have
number one. And we’ll begin it now.”
But the orchestra was still idling in the melancholy manner peculiar to
orchestras. Why—by the way—is there something so unutterably sad in the
expression of an orchestra about to play a jovial onestep?
“I do want to know about your marriage,” pursued Courtesy, whose
curiosity was a daylight trait, like the rest of her characteristics.
“When did it happen, and where did you meet her, and why did you have a
wedding without me to help?”
“I met her—on the way to Paradise,” said the gardener, posing
luxuriously as an enigma. “We got married on the way too. It was a
no-flowers-by-request sort of wedding, otherwise we would have invited
you.”
“But I can’t understand it,” said Courtesy. “Only a week ago you were
snivelling over a broken boot-lace.”
The gardener’s pose had a fall. He might have expected that Courtesy
would trip it up.
The violins, relieving their feelings by a preliminary concerted yell,
settled down to a lamentation in ragtime.
The gardener danced rather well, as his mother had taught him to dance.
Courtesy danced rather well, after the manner of The Generation. But the
_Caribbeania_ danced better than either. She reduced them to planting
their four feet wide and sliding up and down. The ship’s officers, with
their lucky partners, leaning to the undulations of the deck, like
willows bending to the wind, showed to immense advantage. They evidently
knew every wave of the Atlantic by heart. But among the remaining
dancers there was much unrest. Captain Walters, who was accustomed to be
one of the principal ornaments of a more stationary ballroom, at once
knocked his partner down and sat upon her. Theresa and a subaltern slid
helplessly at the mercy of the elements into a forest of chaperons. The
gardener and Courtesy leaned together and clung, with a tense look on
their faces.
I dare not say what angle the deck had reached when the orchestra, with
an unpremeditated lapse into a Futurist style of melody, broke loose,
and glided in a heaving phalanx to join the turmoil. The piano, being
lashed to its post, remained a triumphant survivor, calmly surveying the
fallen estate of the less stable instruments.
“I am not enjoying myself a bit,” said Courtesy, as she disentangled a
violin from her hair, and strove to dislodge the ’celloist from his
position on her lap. The gardener disliked agreeing with any one, but he
seemed by no means anxious to continue dancing. The orchestra also
seemed a little loth to risk its dignity again at once, and even
Theresa, though still plastered with a pink smile, was retiring on the
arm of her subaltern to a twilit deck-chair.
Public-domain text, read in full here on John Shaqi.
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