London (England) -- Fiction; Satire; Suffragists -- Fiction
The _Caribbeania_ and the first ray of the sun reached the Island
simultaneously next morning. When the gardener came on deck at half-past
seven he found himself confronted by the town of Union, backed by its
sudden hills. The _Caribbeania_, like a robber’s victim, ignominiously
bound to the pier, was being relieved of its valuables. The air was
thick with talk. On the pier the over-dressed representatives of British
rule, in blue serge and gold braid, rubbed shoulders with the
under-dressed results of their kind tyranny, in openwork shirts and
three-quarters of a pair of trousers.
“Your wife went off early,” said the fourth officer to the gardener. “I
asked her whether she were eloping all by herself, and she said you knew
all about it.”
“Thanks,” said the gardener curtly.
You will hardly believe me when I tell you that his first conscious
thought after this announcement was that he had no money to tip the
steward with. The suffragette meant a good deal to him, and among the
things she meant was temporary financial accommodation.
I hope that you have noticed by now that he was not a money-lover, but a
steward was a steward, and this particular steward had been kind in
improvising a crutch for Hilda. Any assistance from the suffragette was,
of course, taken as temporary: independence was one of the gardener’s
chronic poses. He meant to change it from a rather hollow dream into
reality on arriving on the Island; he supposed that he would be able to
turn his brains into money. He considered that no such brain could ever
have landed at Union Town. Its price in coin, which had been rather at a
discount in the stupid turmoil of London, would be instantly appreciable
under this empty sky. His pose on the Island was to be The One Who
Arrives, in capital letters.
He went down to his cabin to pack his little luggage. He had nothing
beloved to pack now; men’s clothes seem to be inhuman things without a
touch of the lovable, and they were all he had. For Hilda was dead. For
the last week of her life she had been a little concrete exclamation of
protest against her unnatural surroundings. One born to look simply at
the sun, from the shelter of a whitewashed cottage wall, with others of
her like jostling beautifully round her; a fantastic fate had willed
that she should reach the flower of her life in a tipsy cabin, with a
sea-wind singing outside the thick glass against which she leant. The
gardener had given her a sailor’s grave somewhere near the spot in the
Spanish Main to which I hope the spirit of Drake clings, for his
mother-sea received him there. It was hardly a suitable ending for
Hilda, but it was the best available.
Public-domain text, read in full here on John Shaqi.
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