Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard ShawHuneker, James
History
Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard Shaw
Huneker, James
Dramatists; European drama -- 19th century -- History and criticism; European drama -- 20th century -- History and criticism
"Just as soon as I gave my name," relates Siegfried, "the man across
the table began to crack jokes on Jews. I play the naïve and keep the
game going. Then you should have heard them snicker. I see plainly
enough that they are laughing at me, but I clench my teeth and say
to myself, 'You are going to _compel_ me to respect your superior
intellect....' I talked about everything,--old idealism and modern
gaiters; Germany's inalienable national rights and the swellest way of
training poodles; the unimportance of Hegel's conception of divinity
and the importance of a good pug dog. I quoted Plato, Schopenhauer,
and the latest sharper. Everybody looked at me with mouth agape, and I
thought I had them just where I wanted them when my friend Hartmayer
came and whispered that he was commissioned to give me a hint that
this was no place for my colossal jaw, and that it would be better if
I stayed away next time. Outside I shook my fist and swore: 'If you
_won't_ have us as friends, you _will_ have us as enemies! Then we
shall see who comes out on top.'"
Mr. Lilly sees in Sudermann an affinity with Euripides, which may mean
that he is a painter of a society in its decadence. His affinities as
pointed out seem to be Parisian; at least he is Parisian in his gift
of observation and style, German as is his power of reasoning. He is
unmoral, following the _tendenz_ of his time, but not so completely
as D'Annunzio, who is satisfied with sheer shapes of beauty. With
Sudermann it is, first, technical prowess, secondly, social satire, and
he is always brilliant if not always satisfying.
IX
PRINCESS MATHILDE'S PLAY
_A. S. A. I. Madame la princesse Mathilde_,
_sonnet improvisé_
_sur des rimes données sur un sujet choisi_
LA VERANDAH
Sous cette verandah, peinte en vert d'espérance, On arrive et l'on part
avec un souvenir Si doux, qu'on y voudrait aussitôt revenir Sous les
fleurs des tropiques et les plantes de France.
Une main de déesse y guérit la souffrance, Au mérite modeste elle ouvre
l'avenir. Elle sait couronner comme elle sait punir. Pour le génie elle
est pleine de déférence.
Devant elle enhardi, l'esprit prime-sautier, Ainsi qu'Euphorion dansant
sur la prairie, Peut, entre terre et ciel, se montrer tout entier.
Pour que son œil pétille et que sa lèvre rie Et que de toute humeur
sa lèvre soit guérie, Il suffit d'un bon mot de son bouffon Gautier.
--THÉOPHILE GAUTIER.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account