Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard ShawHuneker, James
History
Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard Shaw
Huneker, James
Dramatists; European drama -- 19th century -- History and criticism; European drama -- 20th century -- History and criticism
Gunnar weakens. He describes a dream that he has had of late.
"Methought I had done the deed thou cravest; Sigurd lay slain on the
earth; thou didst stand beside him and thy face was wondrous pale.
Then said I, 'Art thou glad, now that I have done thy will?' But thou
didst laugh and answer, 'Blither were I didst thou, Gunnar, lie there
in Sigurd's stead.'" Ill at ease, Hjördis flouts this dream and pushes
her cause to an issue. Sigurd must die. How? "Do the deed, Gunnar--and
the heavy days will be past." She promises cheap joys--love. He leaves
her clutched to the very heart by her baleful words. The next interview
is with Dagny. No trouble now in winging this emotional bird. Already
she repents of her cruelty the previous night and would make amends.
Hjördis recognizes the malleability of the woman and pierces her armour
by proving to her her own unfitness for the high position as wife of
Sigurd--now the sole hero. She plays all the music there is hidden
within this string, and it sounds its feeble, little, discouraged
tune without further ado. Dagny feels her worthlessness, has always
felt it; better let Sigurd go unattended, unhampered, and quite alone
upon that shining path of glory which surely awaits him. She leaves.
Treading upon her heels almost comes the redoubtable Sigurd to this
exposed cavern of the wicked. Too soon he falls into the toils, not
because, like Hercules with Omphale, he is merely a sensuous weakling,
but because he has loved Hjördis from the first. The plot curdles.
Explanations fall like leaves in the thick of autumn. If Sigurd has
loved, Hjördis has anticipated him. This eagle bends curved beak and
is of the lowly for the moment. She proves to Sigurd that the one
unpardonable sin is the repudiation of love.
For another and a nobler motive Sigurd gives place to his beloved
friend Gunnar, yet none the less is his a crime. It must be expiated,
as was John Gabriel Borkman's. Curious it is to note the persistency
through a half century of an idea. Like Flaubert, Ibsen did not really
add to his early acquired stock of images and ideas.
Tempted almost beyond his powers, Sigurd manages to save his
self-respect and remain faithful to his wife. He recognizes his
mistake; he has always loved the other woman, though he never knew
before that this affection was returned. Hjördis bids him renounce all
for her; together they will win the throne of Harfager--the ultimate
dream of Sigurd. Sadly he bends his back to her gibes, to her devilish
suggestions. One way is open to him. He can fight Gunnar in behalf
of Oernulf and thus avenge the death of Thorolf and put an end to an
existence become insupportable. Hjördis has other plans.
Public-domain text, read in full here on John Shaqi.
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