Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard ShawHuneker, James
History
Iconoclasts: A Book of Dramatists: Ibsen, Strindberg, Becque, Hauptmann, Sudermann, Hervieu, Gorky, Duse and D'Annunzio, Maeterlinck and Bernard Shaw
Huneker, James
Dramatists; European drama -- 19th century -- History and criticism; European drama -- 20th century -- History and criticism
JEAN. To Switzerland, to the Italian lakes. Have you ever been there?
JULIE. No. Is it beautiful?
JEAN. An eternal summer. Orange trees, laurels--ah!
JULIE. But what shall we do there afterwards?
JEAN. We will start a first-class hotel for first-class guests.
JULIE. A hotel!
JEAN. That is the life to live, believe me. Always new faces, new
languages, not a moment's leisure for worrying or dreaming, no seeking
after employment, for work comes of itself. Night and day the bell
rings, the trains whistle, the omnibuses come and go while the gold
pieces roll into the till. That is a life to live.
JULIE. That is a life to live. And what of me?
JEAN. You shall be the mistress of the house, the ornament of the
firm. With your appearance and your manners we are sure of a colossal
success. You sit like a queen in the office and set your slaves in
motion with one touch on the electric bell; the guests march past your
throne and lay their treasures humbly on the table. You cannot imagine
how people tremble when they get a bill. I will salt the accounts
and you will sugar them with your most bewitching smile. Yes, let us
travel far from here. _He takes a time-table from his pockety_ Good. By
the next train we are in Malmö at 6.30, in Hamburg at 8.40 to-morrow
morning, from Frankfort to Basle in one day, and we are in Como by the
St. Gothard route in, let me see, three days. Three days!
JULIE. That is ah very fine. But, Jean, you must give me courage. Say
that you love me. Come and take me in your arms.
JEAN. [_Hesitating_] I would like to, but I dare not. Not here in this
house. I love you without doubt. Can you doubt it?
JULIE. YOU! Say "thou" to me. Between us there are no longer any
barriers. Say "thou."
JEAN. [_Troubled_] I cannot. There are still barriers between us so
long as we remain in this house. It recalls the past, it recalls the
Count. I have never met any man who compelled such respect from me.
I have only to see his glove lying on a table to feel quite small. I
have only to hear his bell and I start like a shying horse. And when
I look at his boots standing there so stiff and stately, it makes me
shiver. [_He pushes the boots away with his foot._] Superstition,
prejudice, which has been driven into us from childhood, but which we
can never get free of. If you will only come into another country, into
a republic, then people shall kneel down before my porter's livery,
people shall kneel down. But I shall not kneel down. I am not born to
kneel, for there is stuff in me; there is character in me; and if once
I reach the lowest branch, you shall watch me climb. To-day I am a
lackey, but next year I am a proprietor; in a few years I shall have
an income, and then I run off to Roumania, where I buy a decoration. I
can--mark well that I say can--die a count.
JULIE. Beautiful, beautiful!
JEAN. Ah, in Roumania a man can buy a count's title, and then you will
be a countess, my countess.
Public-domain text, read in full here on John Shaqi.
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