Idling in Italy: Studies of literature and of life — John Shaqi
Idling in Italy: Studies of literature and of lifeCollins, Joseph
History
Idling in Italy: Studies of literature and of life
Collins, Joseph
Italian literature -- History and criticism
Brief mention is here made of two literary men of affairs in Italy, the
purpose being more to call attention to a type of individual who is more
often found in Italy than in any other country--the versatile,
many-sided, cultivated man of affairs who has also distinctive literary
talent.
Enrico Panzacchi (1841-1904) published a volume of lyrics, fluid,
harmonious, transparent, treating of homely, every-day subjects which
appealed very much to the public. He first became known as a writer of
seductive romances, then as an accomplished musician, afterward as a
lyric poet, then as a critic of literature, æsthetics, and philosophy.
He taught the philosophy and history of art; he was the secretary of the
Academy of Belle Arti at Bologna, for many years a deputy in Parliament,
and at one time undersecretary of state and an orator of great renown.
His reputation as a poet depends largely upon "Cor Sincerum," published
in 1902. In his versatility he reminds of Remy de Gourmont, although his
literary productions were incomparably less numerous, but in temper of
mind, literary equipment, æsthetic appetite, and general virtuosity they
are brothers.
The other is Ferdinando Martini, a governor of one of Italy's colonies,
a minister of public instruction, a deputy of long service, a poet, an
essayist, a biographer, and a traveller, the Italian Admirable Crichton.
He was born in Monsummano in 1841, and for forty-five years was without
interruption in the Chamber of Deputies. He went under in the last
election. He has published many books and articles, amongst which may be
mentioned "Nell' Africa Italiana" ("In African Italy"), but the casual
reader will get most pleasurable contact with him from "Pagine
Raccolte." He is an excellent example of the cultured man in public life
in Italy. His prose integrates the aroma of the classics, while at the
same time his sympathies and interests bring his subjects up to the
minute. His writings have a pragmatic as well as an æsthetic quality.
None of them has the air of preachings. He knows how to be profound
without being heavy and learned without being pedantic. For him
literature has not been an æsthetic exercise or a statement of human
rights and human needs. Prospective admirers should not study too
closely his political career.
Public-domain text, read in full here on John Shaqi.
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