Francesco Chiesa has already differentiated himself from the writing herd and his "Viali d'Oro" has had great popularity with the younger generation of his country. His style, imagery, and masterful synthesis is best seen in the volume entitled "Istorie e Favole," a collection of short stories. Another young Italian writer who is likely to come to the fore is Piero Jahier. He wrote the best war story, "Con mi e con gli Alpini." "Ragazzo," a recent publication, shows him in an entirely different light. Alfredo Bacceli was a young man of great promise in letters. His "Verso la Morte" ("Toward Death"), showed clear vision, deep feeling, and mastery of form. Some of the most conspicuous of the present-day poets of Italy are Marradi, Pastonchi, Rapisardi, Siciliani, and Sindici. The first two are lyric poets, the last two masters of form in addition. Luigi Siciliani, who became a member of Parliament in the last elections, is the one of this group who is most likely to be remembered. His "Canti perfetti," translations from the Greek, Latin, Portuguese, and English, published in 1910, showed him to be not only a student but a writer possessed of exquisite literary craftsmanship. He has written novels, criticisms, anthologies, but the volume by which he is best known is "Poesie per ridere," published in 1909. Francesco Meriano, one of the group of young literary Italians that are known through the _Brigata_ of Bologna, and who published some years ago a volume of Futuristic poetry entitled "Equatore Notturno," is the author of a volume containing his lyric compositions of the past four years, entitled "Croci di legno" ("Wooden Crosses"), which has been very well received by the critics. In Marino Moretti's "Poesie" we encounter things which make us think of the great poets--little perfections that much recent poetry almost no longer knows, lucidity, subtle vision and modesty. If poetry is emotion recollected in tranquillity some of these verses are real poetry. Alfredo de Bosis, translator of Shelley's Cenci and advocate of Walt Whitman, is the author of many lyrical poems, some of which have been highly praised. The three most prolific writers for the stage of yesterday in Italy are Roberto Bracco, Sem Benelli, and Dario Niccodemi. They have all had much success outside of their own country, and their names are well known to readers and theatre-goers of our own country. They are now in the fulness of their mature years, but with the exception of the latter none has given evidence in recent productions of having sensed the change that has taken place in the likings of the theatre-going public in Italy.