Illuminated manuscripts in classical and mediaeval times, their art and their technique — John Shaqi
Illuminated manuscripts in classical and mediaeval times, their art and their techniqueMiddleton, J. H. (John Henry)
History
Illuminated manuscripts in classical and mediaeval times, their art and their technique
Middleton, J. H. (John Henry)
Illumination of books and manuscripts; Manuscripts
It grows in many places in Syria, in the Euphrates valley and in Nubia. In
Egypt itself it is now extinct, but it was abundant there in ancient times,
especially in the Delta of the Nile.
The only spot in Europe where the papyrus plant grows in a wild state is
near Syracuse in the little river Anapus, where it was probably introduced
by the Arab conquerors in the eighth or ninth century A.D.
It grows here in great abundance and sometimes nearly blocks up the stream
so that a boat can scarcely get along.
The stem of the papyrus consists of a soft, white, spongy or cellular pith
surrounded by a thin, smooth, green rind. Papyrus paper ([Greek: biblia] or
[Greek: chartês]) was wholly made from the cellular pith. The method of
manufacture was as follows.
_Process of manufacture._
The long stem of the plant was first cut up into convenient pieces of a
foot or more in length; the pith in each piece was then very carefully and
evenly cut with a sharp knife into thin slices. These slices were then laid
side by side, their edges touching but not overlapping, on the smooth
surface of a wooden table which was slightly inclined to let the
superfluous sap run off, as it was squeezed out of the slices of pith by
gentle blows from a smooth wooden mallet. When by repeated beating the
layer of pith had been hammered down to a thinner substance, and a great
deal of the sap had drained off, some fine paste made of wheat-flour was
carefully brushed over the whole surface of the pith. A second layer of
slices of pith, previously prepared by beating, was then laid crosswise on
the first layer made adhesive by the paste, so that the slices in the
second layer were at right angles to those of the first. The beating
process was then repeated, the workmen being careful to get rid of all
lumps or inequalities, and the beating was continued till the various
slices of pith in the two layers were thoroughly united and amalgamated
together.
_Use of many layers._
_Sizes of papyrus._
For the best sort of papyrus these processes were repeated a third and
sometimes even a fourth time, the separate slices in each layer being cut
much thinner than in the coarser sorts of paper which consisted of two
layers only. The next process was to dry and press the paper; after which
its surface was carefully smoothed and polished with an ivory
burnisher[17]; its rough edges were trimmed, and it was then ready to be
made up into sheets or rolls. There was nothing in the method of
manufacture to limit strictly the size of the papyrus sheets ([Greek:
selides], _paginae_) either in breadth or length; the workmen could lay
side by side as many slices of the pith as he liked, and slices of great
length might have been cut out of the long stem of the _papyrus_.
Practically, however, it was found convenient to make the paper in rather
small sheets; twelve to sixteen inches are the usual widths of papyrus
manuscripts.
_Union of the sheets._
_Long rolls._
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