Illuminated manuscripts in classical and mediaeval times, their art and their techniqueMiddleton, J. H. (John Henry)
History
Illuminated manuscripts in classical and mediaeval times, their art and their technique
Middleton, J. H. (John Henry)
Illumination of books and manuscripts; Manuscripts
The reason of this obviously was that it would have been impossible to cut
slices of great length to the requisite thinness and evenness of substance,
and so papyrus manuscripts are always made up of a large number of separate
sheets carefully pasted together. This was very skilfully done by workmen
who (in Pliny's time) were called _glutinatores_; cf. Cic. _Att._ IV. 4.
The two adjacent edges of the sheets, which were to be joined together by
lapping, were thinned down by careful rubbing to about half their original
substance. The two laps were then brushed over with paste, accurately
applied together, and the union was then completed by beating with the
wooden mallet. When the pasted joint was dry it was rubbed and polished
with the ivory burnisher till scarcely any mark of the joining remained. In
this way long rolls were formed, often fifty feet or more in length; as a
rule, however, excessive length for a single roll was inconvenient. Pliny
mentions 20 sheets as being an ordinary limit. Thus, for example, in such
works as Homer's _Iliad_ or Virgil's _Aeneid_, each _book_ would form a
separate _volumen_ or roll (Greek [Greek: kylindros] or [Greek: tomos]).
The invention of papyrus paper dates from an early period in the history of
Egypt. Examples still exist which are as early as 2300 B.C., and its
manufacture was probably known long before that.
_Papyrus used in Greece._
In later times Egyptian papyrus was an important article of export into
many countries. An Attic inscription of the year 407 B.C. tells us what the
cost of paper then was in Athens; two sheets ([Greek: chartai duo]) cost
two drachmae and four obols, equal in modern value to about four shillings;
see _C. I. A._ I. 324. The [Greek: chartai] in this case probably mean, not
a single page, but several sheets pasted together to form a roll.
_Papyrus made in Rome._
_Old MSS. on papyrus._
In Pliny's time paper was made not only in Egypt but also in Rome and at
other places in Italy[18]. The best kind was formerly called _Hieratica_,
because it was used in Egypt for sacred hieroglyphic writing only. In later
times this finest quality, in Rome at least, was called _Augusta_, and the
second quality _Liviana_, from Livia the wife of Augustus. A coarse variety
used for wrapping up parcels and the like was called "shop-paper,"
_emporetica_. Pliny also tells us that paper was manufactured of many
different breadths, varying from about four to eighteen inches. The
commonest width was about twelve inches; see Pliny, _Hist. Nat._ XIII. 71
to 83. In the last of these paragraphs Pliny mentions examples of old
papyrus manuscripts existing in his time, such as manuscripts in the
handwriting of Tiberius and Gaius Gracchus, which were nearly two centuries
old. Manuscripts written by Cicero, Augustus and Virgil are, he says, still
frequently to be seen.
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