Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
Pindar died at the age of eighty, in the theatre, it is related, amid
the acclamations of the audience. He had been taking part as usual, and
overcome with weariness, rested his head on the knees of a favorite
pupil, and fell into a slumber from which his friends vainly strove
to wake him. A tradition, more in accordance with the Greek love of
the marvellous, informs us that a few days before he died Proserpine
(goddess of the lower world) appeared to him, and having reproached him
for slighting her in his odes, announced that he should soon compose
a song in her honor within the confines of her own kingdom. Shortly
after, Pindar’s death occurred; and on the following day, Thebes
resounded with a hymn to Proserpine sung by an old woman, who declared
the poet’s ghost had dictated it to her in a dream.
Statues were erected to Pindar at Athens and in the hippodrome of
Thebes; a hundred years after, when Alexander the Great destroyed the
latter city in consequence of its rebellion, he bade his soldiers
spare the house hallowed by having once been the residence of the
Theban bard. Statues and dwelling have since passed away, and the only
surviving monument of Pindar is that reared by himself in the deathless
odes he has left us.
THE PINDARIC ODE.—Pindar’s fertile pen enriched every department of
lyric poetry; but all his compositions are lost except a few fragments
of pæans and dirges, with forty-five Triumphal Odes (which we have
entire) written to commemorate victories at the Great Games of Greece.
These games were celebrated at Olympia, Delphi, Neme’a, and on the
Corinthian Isthmus: they consisted of athletic sports, races, literary
and musical contests. All Greece was represented at them. Peasant and
prince, trader and priest, poet and historian, painter and sculptor,
hurried to the exciting scene as contestants or spectators; and the
simple crown of olive or laurel, pine or parsley, that was placed on
the conqueror’s brow, was valued beyond price. All that was needed to
complete the triumph was an ode in its honor from the Great Lyrist.
This, when obtained, was sung at an honorary banquet or solemn
procession, amid great rejoicings; and was annually rehearsed in the
victor’s native town to the accompaniment of soul-stirring music—for
his family, town, and state, participated in the victor’s glory.
Public-domain text, read in full here on John Shaqi.
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