Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time — John Shaqi
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present TimeLitchfield, Frederick
History
Illustrated History of Furniture, fifth ed.: From the Earliest to the Present Time
Litchfield, Frederick
Furniture -- History
An idea of the furniture of an apartment in France during the fourteenth
century is conveyed by the illustration on this page, and it is very
useful, because, although we have on record many descriptions of the
appearance of the furniture of state apartments, we have very few
authenticated accounts of the way in which such domestic chambers as the
one occupied by "a knight and his lady" were arranged. The prie-dieu
chair was generally at the bedside, and had a seat which lifted up, the
lower part forming a boxlike receptacle for devotional books, then so
regularly used by a lady of the time. Towards the end of the fourteenth
century there was in high quarters a taste for bright and rich coloring;
we have the testimony of an old writer who describes the interior of the
Hotel de Bohême, which, after having been the residence of several great
personages, was given by Charles VI. of France in 1388 to his brother the
Duke of Orleans. "In this palace was a room used by the duke, hung with
cloth of gold, bordered with vermilion velvet embroidered with roses; the
Duchess had a room hung with vermilion satin embroidered with crossbows,
which were on her coat of arms; that of the Duke of Burgundy was hung
with cloth of gold embroidered with windmills. There were besides eight
carpets of glossy texture with gold flowers, one representing 'the seven
virtues and seven vices,' another the history of Charlemagne, another that
of Saint Louis. There were also cushions of cloth of gold, twenty-four
pieces of vermilion leather of Aragon, and four carpets of Aragon leather,
'to be placed on the floor of rooms in summer.' The favourite arm-chair
of the Princess is thus described in an inventory--'a chamber chair with
four supports, painted in fine vermilion, the seat and arms of which are
covered in vermilion morocco, or cordovan, worked and stamped with designs
representing the sun, birds, and other devices bordered with fringes of
silk and studded with nails.'"
The thirteenth and fourteenth centuries had been remarkable for a
general development of commerce; merchants of Venice, Genoa, Florence,
Milan, Ghent, Bruges, Antwerp, and many other famous cities had traded
extensively with the East and had grown opulent, and their homes
naturally shewed signs of wealth and comfort that in former times had
been impossible to any but princes and rich nobles. Laws had been made in
compliance with the complaints of the aristocracy, to place some curb on
the growing ambition of the "bourgeoisie"; thus we find an old edict in
the reign of Philippe the Fair (1285-1314)--"No bourgeois shall have a
chariot, nor wear gold, precious stones, nor crowns of gold and silver.
Bourgeois not being prelates or dignitaries of state shall not have tapers
of wax. A bourgeois possessing 2,000 pounds (tournois) or more, may order
for himself a dress of 12 sous[4] 6 deniers, and for his wife one worth 16
sous at the most," etc., etc., etc.
Public-domain text, read in full here on John Shaqi.
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