Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance. — John Shaqi
Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.Douce, Francis
History
Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.
Douce, Francis
Clowns -- England -- History -- 16th century; Clowns in literature; Exempla in literature; Fools and jesters -- England -- History -- 16th century; Fools and jesters in literature; Gesta Romanorum; Manners and customs in literature; Morris dance; Shakespeare, William, 1564-1616 -- Characters -- Clow
_Troll_ is from the French _trôler_, to _lead_, _draw_, or _drag_,
and this sense particularly applies to a catch, in which one part
is sung after the other, one of the singers leading off. The term is
_sometimes_ used as Mr. Steevens has explained it. Littelton renders
_to troll along his words_, by _volubiliter loqui sive rotundè_.
_Trolling_ for fish, is drawing the bait along in the water, to imitate
the swimming of a real fish.
SCENE 2. Page 104.
SEB. ... in _Arabia_
There is one tree, the Phœnix' throne, _one phœnix_
At this hour reigning there.
Bartholomæus _De propriet. rerum_, speaking of _Arabia_, says, "there
breedeth a birde that is called _Phœnix_;" and from what has already
been said of this book, it was probably one of Shakspeare's authorities
on the occasion.
SCENE 2. Page 106.
GON. Who would believe that there were mountaineers,
Dewlapp'd like bulls, whose throats had hanging at them
Wallets of flesh? or that there were such men,
_Whose heads stood in their breasts?_
The "dewlapp'd mountaineers" are shown to have been borrowed from
Maundeville's travels, and the same author doubtless supplied the other
monsters. In the edition printed by Thomas Este, without date, is
the following passage: "In another ile dwell men that have no heads,
and their eyes are in their shoulders, _and their mouth is on their
breast_." A cut however which occurs in this place is more to the
purpose, and might have saved our poet the trouble of consulting the
text, for it represents a complete head with eyes, nose, and mouth,
placed on the breast and stomach.
ACT IV.
SCENE 1. Page 122.
CER. Hail many-coloured messenger, that ne'er
Dost disobey the wife of Jupiter;
Who with thy saffron wings upon my flowers
Diffusest honey-drops, refreshing showers;
And with each end of thy blue bow dost crown
My bosky acres----
An elegant expansion of these lines in Phaer's _Virgil. Æn._ end of
book 4.
"Dame rainbow down therefore with safron wings of dropping showres.
Whose face a thousand sundry hewes against the sunne devoures,
From heaven descending came----"
SCENE 1. Page 131.
ARI. ... so I charm'd their ears,
That calf-like, they my lowing follow'd through
Tooth'd briers, sharp furzes, pricking goss and thorns
Which enter'd their frail skins.
Dr. Johnson has introduced a passage from Drayton's _Nymphidia_, as
resembling the above description. It is still more like an incident in
the well known story of the _friar and the boy_.
"Jacke toke his pype and began to blowe
Then the frere, as I trowe,
Began to daunce soone;
The breres scratched hym in the face
And in many another place
That the blode brast out,
He daunced among thornes thycke
In many places they dyde hym prycke, &c."
SCENE 1. Page 136.
Public-domain text, read in full here on John Shaqi.
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