Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.Douce, Francis
History
Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.
Douce, Francis
Clowns -- England -- History -- 16th century; Clowns in literature; Exempla in literature; Fools and jesters -- England -- History -- 16th century; Fools and jesters in literature; Gesta Romanorum; Manners and customs in literature; Morris dance; Shakespeare, William, 1564-1616 -- Characters -- Clow
Messrs. Steevens and Whalley maintain that the above term (a cant one)
derives its origin from the _rook_ in the game of chess; but it is
very improbable that that noble game, never the amusement of gamblers,
should have been ransacked on this occasion. It means _a hectoring,
cheating sharper_, as appears from _A new dictionary of the terms
of the canting crew_, no date, 12mo, and from the lines prefixed to
_The compleat gamester_, 1680, 12mo, in both which places it is spelt
_bully-rock_. Nor is Mr. Whalley correct in stating that _rock_ and not
_rook_ is the _true_ name of the chess piece, if he mean that it is
equivalent to the Latin _rupes_.
SCENE 3. Page 333.
PIST. O base _Gongarian_ wight!
It is already shown that this is the same as _Hungarian_. It simply
means a _gipsy_. The parts of Europe in which it is supposed that the
gipsies originally appeared were Hungary and Bohemia. In Act IV. Scene
5, of this play, the host in the like cant language calls Simple a
_Bohemian Tartar_; and Munster in his _Cosmography_ informs us that the
Germans denominated the _gipsies Tartars_.
SCENE 3. Page 333.
FAL. I am glad I am so acquit of this _tinder box_.
There is a great deal of humour in this appellation. Falstaff alludes
to Pistol's rubicund nose, which, like the above utensil, carried fire
in it.
SCENE 3. Page 333.
PIST. Young ravens must have food.
Either Shakspeare or the adage, if it be one, has borrowed from
scripture. See _Psalm_ cxlvii. 9. or _Job_ xxxviii. 41.
SCENE 3. Page 337. Note 4.
To the instances adduced by Mr. Steevens in this note, of particular
phrases in old theatrical characters, may be added that of Murley
in _Sir John Oldcastle_, who is continually prefacing his speeches
with "fye paltry, paltry, in and out, to and fro upon occasion." This
practice has been revived in our modern comedies.
SCENE 4. Page 347.
CAIUS. You are John Rugby, and you are Jack Rugby: come take-a your
rapier, and come after my heel to de court.
It was the custom, in Shakspeare's time, for physicians to be attended
by their servants when visiting their patients. This appears from
the _second part_ of Stubs's _Anatomie of abuses_, sign. H. 4 b.,
where, speaking of physicians, he says, "For now they ruffle it out
in silckes and velvets, with _their men attending upon them_, whereas
many a poor man (God wot) smarteth for it." Servants also carried
their masters' rapiers: "Yf a man can place a dysh, fyll a boule and
_carrie his maister's rapier_, what more is or can be required at
his handes?"--Markham's _Health to the gentlemanly profession of a
serving-man_, sign. F. 3.
ACT II.
SCENE 1. Page 357.
MRS. FORD. ... to the tune of _Green sleeves_.
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