Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.Douce, Francis
History
Illustrations of Shakspeare, and of Ancient Manners:: with Dissertations on the Clowns and Fools of Shakspeare; on a Collection of Popular Tales Entitled Gesta Romanorum; and on the English Morris dance.
Douce, Francis
Clowns -- England -- History -- 16th century; Clowns in literature; Exempla in literature; Fools and jesters -- England -- History -- 16th century; Fools and jesters in literature; Gesta Romanorum; Manners and customs in literature; Morris dance; Shakespeare, William, 1564-1616 -- Characters -- Clow
The annexed cuts exhibit different sorts of mufflers. The first and
third figures are copied from Jost Amman's _Theatrum mulierum_,
Francof. 1586, 4to; the second, from Speed's Map of England, is the
_costume_ of an English countrywoman in the reign of James I.; the
fourth is from an old German print; and the others from Weigel's
_Habitus præcipuorum populorum_, Nuremb. 1577, folio; a work which, for
the beauty of the wood-cuts, has never been surpassed.
[Illustration]
In the reign of Charles I. the ladies wore masks which covered the
eye-brows and nose, holes being left for the eyes. Sometimes, but not
always, the mouth was covered, and the chin guarded with a sort of
muffler then called a _chin-cloth_; these were chiefly used to keep
off the sun. See Hollar's print of _Winter_. The velvet masks probably
came from France, as they are mentioned in the _Book of values of
merchandize imported_, under the administration of Oliver Cromwell.
There was another sort called _visard masks_, that covered all the
face, having holes only for the eyes, a case for the nose, and a slit
for the mouth. They were easily disengaged, being held in the teeth by
means of a round bead fastened in the inside. These masks were usually
made of leather, covered with black velvet. Randle Holme, from whose
_Academy of armory_, book iii. c. 5, their description is extracted,
adds, that the devil invented them, and that none about court except
w----s, bawds, and the devil's imps, used them, being ashamed to show
their faces.
SCENE 2. Page 450.
PAGE. Why this _passes_!----
The word had been already explained by Warburton in p. 329. Page,
astonished at Ford's conduct, says it _exceeds every thing_. Such is
the sense in the New Testament, "the love of Christ, which _passeth_
knowledge," _Ephes._ iii. 19. The French often use _passer_ in the same
manner; and in _Hamlet_ we have this expression, "I have that within
which _passeth_ show."
SCENE 2. Page 452.
FORD. ... his wife's _leman_.
Mr. Steevens derives it from the Dutch, a language whence we have
borrowed few, if any words. The term is of Saxon origin, and _leveman_
can be traced to an Anglo-Norman period. This was afterwards contracted
into _leman_. The etymology is perhaps from leoꝼe, amabilis, and man,
homo. The latter in Saxon denoted both man and woman; so that _leman_
was formerly applied to both sexes as a _person beloved_.
SCENE 2. Page 455.
MRS. PAGE. ... in the way of _waste_----
This expression is from the same _law_ manufactory referred to by Mr.
Ritson in the preceding note. The incident in the present scene, of
Falstaff's threshing in the habit of a woman, might have been suggested
by the story of the beaten and contented cuckold in Boccaccio's
_Decameron_, day 7. ver. 7.
SCENE 5. Page 466.
SIMP. Pray you, sir, was't not the _wise woman of Brentford_?
Public-domain text, read in full here on John Shaqi.
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