Illustrations of the manners, customs, & condition of the North American Indians, Vol. 2 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existingCatlin, George
History
Illustrations of the manners, customs, & condition of the North American Indians, Vol. 2 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existing
Catlin, George
Indians of North America
These people are the most desperate set of horsemen, and warriors also,
having carried on almost unceasing wars with the Pawnees and Blackfeet,
“time out of mind.” The chief represented in the picture was clothed in
a handsome dress of deer skins, very neatly garnished with broad bands
of porcupine quill-work down the sleeves of his shirt and his leggings,
and all the way fringed with scalp-locks. His hair was very profuse,
and flowing over his shoulders; and in his hand he held a beautiful
Sioux pipe, which had just been presented to him by Mr. M‘Kenzie, the
Trader. This was one of the finest looking and most dignified men that
I have met in the Indian country; and from the account given of him
by the Traders a man of honour and strictest integrity. The woman was
comely, and beautifully dressed; her dress of the mountain-sheep skins,
tastefully ornamented with quills and beads, and her hair plaited in
large braids, that hung down on her breast.
After I had painted these and many more, whom I have not time at
present to name, I painted the portrait of a celebrated warrior of
the Sioux, by the name of Mah-to-chee-ga (the little bear), who was
unfortunately slain in a few moments after the picture was done, by
one of his own tribe; and which was very near costing me my life for
having painted a side view of his face, leaving one-half of it out of
the picture, which had been the cause of the affray; and supposed by
the whole tribe to have been intentionally left out by me, as “good for
nothing.” This was the last picture that I painted amongst the Sioux,
and the last, undoubtedly, that I ever shall paint in that place. So
tremendous and so alarming was the excitement about it, that my brushes
were instantly put away, and I embarked the next day on the steamer for
the sources of the Missouri, and was glad to get underweigh.
The man who slew this noble warrior was a troublesome fellow of the
same tribe, by the name of Shon-ka (the dog). A “hue and cry” has been
on his track for several months; and my life having been repeatedly
threatened during my absence up the river, I shall defer telling
the whole of this most extraordinary affair, until I see that my own
scalp is safe, and I am successfully out of the country. A few weeks or
months will decide how many are to fall victims to the vengeance of the
relatives of this murdered brave: and if I outlive the affair, I shall
certainly give some further account of it.[1]
[Illustration: 115]
[Illustration: 116]
Public-domain text, read in full here on John Shaqi.
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