Illustrations of the manners, customs, & condition of the North American Indians, Vol. 2 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existingCatlin, George
History
Illustrations of the manners, customs, & condition of the North American Indians, Vol. 2 (of 2): With letters and notes, written during eight years of travel and adventure among the wildest and most remarkable tribes now existing
Catlin, George
Indians of North America
My voyage from the mouth of the Teton River to this place has been
the most rugged, yet the most delightful, of my whole Tour. Our
canoe was generally landed at night on the point of some projecting
barren sand-bar, where we straightened our limbs on our buffalo
robes, secure from the annoyance of musquitoes, and out of the walks
of Indians and grizzly bears. In addition to the opportunity which
this descending Tour has afforded me, of visiting all the tribes of
Indians on the river, and leisurely filling my portfolio with the
beautiful scenery which its shores present—the sportsman’s fever was
roused and satisfied; the swan, ducks, geese, and pelicans—the deer,
antelope, elk, and buffaloes, were “_stretched_” by our rifles; and
some times—“pull boys! pull!! a war party! for your lives pull! or we
are gone!”
I often landed my skiff, and mounted the green carpeted bluffs, whose
soft grassy tops, invited me to recline, where I was at once lost in
contemplation. Soul melting scenery that was about me! A place where
the mind could think volumes; but the tongue must be silent that
would _speak_, and the hand palsied that would _write_. A place where
a Divine would confess that he never had fancied Paradise—where the
painter’s palette would lose its beautiful tints—the blood-stirring
notes of eloquence would die in their utterance—and even the soft
tones of sweet music would scarcely preserve a spark to light the
soul again that had passed this sweet delirium. I mean the prairie,
whose enamelled plains that lie beneath me, in distance soften into
sweetness, like an essence; whose thousand thousand velvet-covered
hills, (surely never formed by chance, but grouped in one of Nature’s
sportive moods)—tossing and leaping down with steep or graceful
declivities to the river’s edge, as if to grace its pictured shores,
and make it “a thing to look upon.” I mean the prairie at _sun-set_;
when the green hill-tops are turned into gold—and their long shadows of
melancholy are thrown over the valleys—when all the breathings of day
are hushed, and nought but the soft notes of the retiring dove can be
heard; or the still softer and more plaintive notes of the wolf, who
sneaks through these scenes of enchantment, and mournfully how—l——s, as
if lonesome, and lost in the too beautiful quiet and stillness about
him. I mean _this_ prairie; where Heaven sheds its purest light, and
lends its richest tints—_this round-topp’d bluff_, where the foot
treads soft and light—whose steep sides, and lofty head, rear me to
the skies, overlooking yonder pictured vale of beauty—this solitary
_cedar-post_, which tells a tale of grief—grief that was keenly felt,
and tenderly, but long since softened in the march of time and lost.
Oh, sad and tear-starting contemplation! sole tenant of this stately
mound, how solitary thy habitation! here Heaven wrested from thee thy
ambition, and made thee sleeping monarch of this land of silence.
Public-domain text, read in full here on John Shaqi.
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