"Yes, I know," the poet returned, clinging to the thread of thought on
which he had cast himself loose. "But I believe a great deal more could
be said for age by the poets if they really tried. I am not satisfied of
Mr. Gilbert's earnestness in the passage you quote from the 'Mikado,'
and I prefer Shakespeare's 'bare, ruined choirs.' I don't know but I
prefer the hard, unflattering portrait which Hamlet mockingly draws for
Polonius, and there is something almost caressing in the notion of 'the
lean and slippered pantaloon.' The worst of it is that we old fellows
look so plain to one another; I dare say young people don't find us so
bad. I can remember from my own youth that I thought old men, and
especially old women, rather attractive. I am not sure that we elders
realize the charm of a perfectly bald head as it presents itself to the
eye of youth. Yet, an infant's head is often quite bald."
"Yes, and so is an egg," the Easy Chair retorted, "but there is not the
same winning appeal in the baldness of the superannuated bird which has
evolved from it--eagle or nightingale, parrot or
Many-wintered crow that leads the clanging rookery home.
Tennyson has done his best in showing us venerable in his picture of
'the Ionian father of the rest:
A million wrinkles carved his silver skin,
A hundred winters snowed upon his breast.'
But who would not rather be Helen than Homer, her face launching a
thousand ships and burning the topless tower of Ilion--fairer than the
evening air and simply but effectively attired in the beauty of a
thousand stars? What poet has ever said things like that of an old man,
even of Methuselah?"
"Yes," the poet sighed. "I suppose you are partly right. Meteorology
certainly has the advantage of humanity in some things. We cannot make
much of age here, and hereafter we can only conceive of its being turned
into youth. Fancy an eternity of sensibility!"
"No, I would rather not!" he of the Easy Chair returned, sharply.
"Besides, it is you who are trying to make age out a tolerable, even a
desirable thing."
"But I have given it up," the poet meekly replied. "The great thing
would be some rearrangement of our mortal conditions so that once a year
we could wake from our dream of winter and find ourselves young. Not
merely younger, but _young_--the genuine article. A tree can do that,
and does it every year, until after a hundred years, or three hundred,
or a thousand, it dies. Why should not a man, or, much more importantly,
a woman, do it? I think we are very much scanted in that respect."
Public-domain text, read in full here on John Shaqi.
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