"My dear fellow, if you begin fault-finding with creation, there will be
no end to it. It might be answered that, in this case, you can walk
about and a tree cannot; you can call upon me and a tree cannot. And
other things. Come! the trees have not got it all their own way.
Besides, imagine the discomforts of a human springtime, blowing hot and
blowing cold, freezing, thawing, raining, and drouthing, and never
being sure whether we are young or old, May or December. We should be
such nuisances to one another that we should ask the gods to take back
their gift, and you know very well they cannot."
"Our rejuvenescence would be a matter of temperament, not temperature,"
the poet said, searching the air hopefully for an idea. "I have noticed
this spring that the isothermal line is as crooked as a railroad on the
map of a rival. I have been down in New Hampshire since I saw you, and I
found the spring temperamentally as far advanced there as here in New
York. Of course not as far advanced as in Union Square, but quite as far
as in Central Park. Between Boston and Portsmouth there were bits of
railroad bank that were as green as the sward beside the Mall, and every
now and then there was an enthusiastic maple in the wet lowlands that
hung the air as full of color as any maple that reddened the flying
landscape when I first got beyond the New York suburbs on my way north.
At Portsmouth the birds were singing the same songs as in the Park. I
could not make out the slightest difference."
"With the same note of nervous apprehension in them?"
"I did not observe that. But they were spring songs, certainly."
"Then," the Easy Chair said, "I would rather my winter were turned into
summer, or early autumn, than spring, if there is going to be any change
of the mortal conditions. I like settled weather, the calm of that time
of life when the sins and follies have been committed, the passions
burned themselves out, and the ambitions frustrated so that they do not
bother, the aspirations defeated, the hopes brought low. Then you have
some comfort. This turmoil of vernal striving makes me tired."
"Yes, I see what you mean," the poet assented. "But you cannot have the
seasons out of their order in the rearrangement of the mortal
conditions. You must have spring and you must have summer before you can
have autumn."
"Are those the terms? Then I say, Winter at once! Winter is bad enough,
but I would not go through spring again for any--In winter you can get
away from the cold, with a good, warm book, or a sunny picture, or a
cozy old song, or a new play; but in spring how will you escape the
rawness if you have left off your flannels and let out the furnace? No,
my dear friend, we could not stand going back to youth every year. The
trees can, because they have been used to it from the beginning of time,
but the men could not. Even the women----"
Public-domain text, read in full here on John Shaqi.
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