The faculty of abstracting from the land their eyes beheld another
Ireland through which they wandered in dream, has always been a
characteristic of the Celtic poets. This inner Ireland which the
visionary eye saw was the Tirnanoge, the Country of Immortal Youth, for
they peopled it only with the young and beautiful. It was the Land of
the Living Heart, a tender name which showed that it had become dearer
than the heart of woman, and overtopped all other dreams as the last
hope of the spirit, the bosom where it would rest after it had passed
from the fading shelter of the world. And sure a strange and beautiful
land this Ireland is, with a mystic beauty which closes the eyes of
the body as in sleep, and opens the eyes of the spirit as in dreams and
never a poet has lain on our hillsides but gentle, stately figures,
with hearts shining like the sun, move through his dreams, over radiant
grasses, in an enchanted world of their own: and it has become alive
through every haunted rath and wood and mountain and lake, so that we
can hardly think of it otherwise than as the shadow of the thought of
God. The last Irish poet who has appeared shows the spiritual qualities
of the first, when he writes of the gray rivers in their "enraptured"
wanderings, and when he sees in the jeweled bow which arches the
heavens--
The Lord's seven spirits that shine through the rain
This mystical view of nature, peculiar to but one English poet,
Wordsworth is a national characteristic; and much in the creation of the
Ireland in the mind is already done, and only needs retelling by the new
writers. More important, however, for the literature we are imagining
as an offset to the cosmopolitan ideal would be the creation of heroic
figures, types, whether legendary or taken from history, and enlarged
to epic proportions by our writers, who would use them in common, as
Cuculain, Fionn, Ossian, and Oscar were used by the generations of poets
who have left us the bardic history of Ireland, wherein one would write
of the battle fury of a hero, and another of a moment when his fire
would turn to gentleness, and another of his love for some beauty of his
time, and yet another tell how the rivalry of a spiritual beauty made
him tire of love; and so from iteration and persistent dwelling on a few
heroes, their imaginative images found echoes in life, and other heroes
arose, continuing their tradition of chivalry.
Public-domain text, read in full here on John Shaqi.
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