It is useless to quarrel with the course of events, for which no one
is more to blame than another, though human nature loves a scapegoat,
and from time to time we load up some individual with the common
sins, and drive him into a wilderness where he seems rather to enjoy
himself than otherwise. I suppose that even if the conditions had
continued favorable, the country press could never have become the
influence which our editor fondly hoped and earnestly strove to make
it. Like all of us who work at all, the country printer had to work
too hard; and he had little time to think or to tell how to make life
better and truer in any sort. His paper had once perhaps as much
influence as the country pulpit; its support was certainly of the
same scanty and reluctant sort, and it was without consecration by an
avowed self-devotion. He was concerned with the main chance first, and
after that there was often no other chance, or he lost sight of it. I
should not instance him as an exemplary man, and I should be very far
from idealizing him; I should not like even to undertake the task of
idealizing a city journalist; and yet, in the retrospect at least, the
country printer has his pathos for me--the pathos of a man who began
to follow a thankless calling because he loved it, and kept on at it
because he loved it, or else because its service had warped and cramped
him out of form to follow any other.
POLICE REPORT.
One day in summer, when people whom I had been urging to behave in
some degree like human beings persisted in acting rather more like
the poor creatures who pass for men and women in most stage-plays, I
shut my manuscript in a drawer, and the next morning took an early
train into the city. I do not remember just what whim it was that led
me to visit the police court: perhaps I went because it was in the
dead vast and middle of the summer, and the town afforded little other
amusement; perhaps it was because, in my revolt against unreality, I
was in the humor to see life whose reality asserts itself every day in
the newspapers with indisputable force. If this was so, I was fated to
a measure of disappointment, for when the court opened this reality
often appeared no more substantial than the fiction with which I had
lost my patience at home. But I am bound to say that it was much more
entertaining, and that it was, so to speak, much more artistically
treated. It resolved itself into melodrama, or romantic tragedy,
having a prevailing comic interest, with moments of intensity, and
with effects so thrilling that I came away with a sense of the highest
theatrical illusion.
I.
Public-domain text, read in full here on John Shaqi.
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