In a Canadian Canoe; The Nine Muses Minus One, and Other StoriesPain, Barry
General
In a Canadian Canoe; The Nine Muses Minus One, and Other Stories
Pain, Barry
English wit and humor
A man’s surroundings have a great effect upon his character; I felt
myself perceptibly refined by my presence in the stalls. My position as
an under-master in a private school seemed unworthy of me. “It is not,”
so I thought, “the profession for a gentleman. I shall change it.” I
must have known perfectly well that it was impossible to change it; but
it pleased me to say so to myself. My old tendencies towards economy
vanished. I felt that I must have a cab to take me home. It would cost
two shillings probably, but that would be better than an incongruity.
My æsthetic principles positively forbade me to walk home after having
sat in the stalls. So I hired a four-wheeler, as I always mistrust
hansoms. “After all,” I said to myself as I put up the window, “what is
money? We assign a value to it, but it is relative and transitory. We
don’t know what anything’s really worth. What is money? What is money?”
The words repeated themselves over and over again, in time with the
rattling of the cab,--“What is money?” Such a repetition is liable to
send one off to sleep. I am not sure that I might not have fallen into
a doze myself, if I had not suddenly been startled into wakefulness by
the stopping of the cab. I felt certain that the man could not have
driven to my lodgings in the time, but I jumped out. To my amazement
I found myself in an empty street. On one side of it ran a low stone
wall, on the other there were houses; the darkness hid them to a great
extent; but the house at which my cab had stopped was brightly lighted
up, and appeared to be some kind of a shop. There was nothing set out
in the windows, but over the door were the words “Joseph, Grocer.” The
street itself was paved with blocks of crystal, and in the air there
sounded the wildest music. I turned to my cabby, utterly at a loss as
to where I was, or why I was there. He sat absolutely motionless; his
hands still held the reins, but his eyes were shut. “Now then, cabby!”
I cried, “where have you taken me to?”
He made no answer, and gave no sign of having heard me; but the horse
turned its head and looked at me. As it did so, the music ceased.
“You’re starring,” the horse remarked.
I remember perfectly well that one of the young men with the shut-up
hats had made the same remark about some actress, and I had then
wondered what he meant. “This is very confusing,” I said. “It was the
cabman that my remarks were addressed to.”
“Look over that parapet,” answered the horse.
I could not help thinking how extraordinary it was to hear a horse
speak. All my life long I had been accustomed to regard a horse as a
poor dumb animal. It might, of course, be all very well in fables to----
“Shut up!” shrieked the horse.
“I never said anything,” I replied, indignantly.
“No, but you thought.”
“Well, I can’t help thinking.”
“Can’t you? If you think like that again, I’ll kick this cab to
splinters. I was shod yesterday. Why can’t you look over the parapet,
and do as you’re told?”
Public-domain text, read in full here on John Shaqi.
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