England -- Fiction; Short stories, English; Villages -- Fiction; Wales -- Fiction
Poor Doble Drewe suffered acutely when an instrument was out of tune, and
a piece played out of time; and when were all the instruments in the west
gallery either in tune or in time the one with the other?
Doble’s sole ambition was to obtain a piano, and he did purchase one out
of the savings of many years, to discover that he was powerless to play
it, that his ardent musical soul could not relax his stiff fingers and
enable them to play even a simple piece. He had not learned as a boy, and
now it was too late. “Now look you here,” said Doble. “This is a terrible
disappointment to me, but I’ll not be beat. I’ll have good music in my
house somehow. I’ll marry a wife, and get a little boy or girl; it don’t
matter which, and I’ll have that there child taught so soon as ever it
has the sense to know its notes; and when I’m an old man I’ll just sit by
the fire and listen, and my lad or my little maid shall play to me by the
hour. I’ll have Handel, and Haydn, and Bishop, and Mozart. Ah! them will
be times worth living for. I’ll go about it at once.”
And he did. He married a young woman, not because she could play a piano,
for at that period there were none to be had in his walk of life who
could finger an instrument, but with the prospect of becoming a parent of
one who could be educated into a skilful player.
“You see,” said he, “there is the piano. All it wants is some one to play
on it. It is only a matter of waiting some fifteen or eighteen years, and
then—then my time of enjoyment will have come. Then—then I shall have
music.”
But no. Again he encountered disappointment. No child was given to him,
and the wife he had selected, instead of producing harmony in the home,
was a fruitful source of discord. She had a tongue and she had a temper,
and she was no idealist, and could not abide just those two things which
made Doble what he was—a painstaking, scrupulous workman, and withal a
dreamer.
“Why, Doble,” she would say, “what’s the good of your doing your jobs so
slow and so fine? There’s other chaps get twice the work you do by just
slurring along.”
“I cannot do other. It would go against my conscience.”
“And as to your dratted music. You ain’t got none, and you can’t have
none, so just lump it and be joyful.”
To that he made no reply. No answer he could have made would have been
comprehensible by her.
So time went on.
Doble’s back became bent. His look became more abstracted. His was an
earnest face, with a questioning, craving, seeking look upon it.
Then came a chance.
In the cathedral city the “Messiah” was to be performed, and the choir
of the minster were to take part, also sundry amateurs, and Formes and
Albani were to sing.
I gave myself a treat. I went up, and took the plumber with me.
Public-domain text, read in full here on John Shaqi.
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