England -- Fiction; Short stories, English; Villages -- Fiction; Wales -- Fiction
He fell ill very suddenly and died almost before any one in the
town—where he was well known—suspected that he was in danger.
But he had no doubt in his own mind that his sickness would end fatally,
and he asked to see the landlady of the inn.
“Beg pardon, ma’am!” he said from his bed, touching his forelock, “very
sorry I han’t shaved for two days and you should see me thus. But please,
ma’am, if it’s no offence, be you wantin’ that there yellow jacket any
more? It seems to me post-boys is gone out altogether.”
“No, George, I certainly do not want it.”
“Nor these?—you’ll understand me, ma’am, if I don’t mention ’em.”
“No, George; what can you require them for?”
“Nor that there old white beaver? I did my best, but it is a bit rubbed.”
“I certainly do not need it.”
“Thank y’, ma’am, then I make so bold might I be buried in ’em as the
last of the old post-boys?”
AUNTIE
AUNTIE
No one would suppose that Auntie had once been pretty. Yet Mrs. Estcourt,
the Squire’s wife, said that she was so at one time, and Mrs. Estcourt
had known her from a girl and ought to be an authority.
No one without a moment’s thought would suppose that she had once been
young. Of course, when you considered, you knew that in the order of
nature young she must have been; but her entire appearance and cut of
figure and dress seemed to proclaim that she had been born old, and had
remained at a standstill whilst the world moved on.
She was short, carried little curls like beer barrels arranged on each
side of her forehead, had mild benevolent eyes of no particular colour,
wore an old-fashioned bonnet, and gowns still older in fashion, for they
were leg-of-mutton sleeved.
When tight sleeves came in, Auntie continued to wear her old-fashioned
full sleeves. “My dear,” she would say to one who objected that they were
antiquated, “my dear, leg-o’-muttons will come in again.”
Come in they have, but after Auntie had closed her eyes and could not
see her prediction verified. Her skirts, flounced and full, saw the
crinoline come in and go out, saw the tight straight skirt, and saw
fulness again become fashionable.
Public-domain text, read in full here on John Shaqi.
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