In Connection with the De Willoughby ClaimBurnett, Frances Hodgson
General
In Connection with the De Willoughby Claim
Burnett, Frances Hodgson
United States -- Social life and customs -- 19th century -- Fiction
The day after this was the one on which little Margery Latimer came into
her life. It was in the early spring, just before the child had gone to
Boston to begin her art lessons. She had come to Janway's Mills to see a
poor woman who had worked for her mother. The woman lived in the house in
which Susan had her bare room. She began to talk about the girl half
fretfully, half contemptuously.
"She's the one Jack Williams got into trouble and then left to get out of
it by herself as well as she could," she said. "She might ha' known it.
Gals is fools. She can't work at the Mills any more, an' last night when
we was all at the Sosherble, she seems to've had a spasm o' some kind;
she can't get out o' bed this mornin' and lies there lookin' like death
an' moanin'. I can't 'tend to her, I've got work o' my own to do. Lansy!
how she was moanin' when I passed her door! Seemed like she'd kill
herself!"
"Oh, poor thing!" cried Margery; "let me go up to her."
She was a sensitive creature, and the colour had ebbed out of her pretty
face.
"Lor, no!" the woman cried; "she ain't the kind o' gal you'd oughter be
doing things for, she was allus right down common, an' she's sunk down
'bout as low as a gal can."
But Margery went up to the room where the moaning was going on. She stood
outside the door on the landing for a few moments, her heart trembling in
her side before she went in. Her life had been a simple, happy, bright
one up to this time. She had not seen the monster life close at hand. She
had large, childish eyes which were the colour of harebells and
exquisitely sympathetic and sweet. There were tears in them when she
gently opened the door and stood timidly on the threshold.
"Let me, please let me come in," she said. "Don't say I mayn't."
The moaning and low choking sobs went on, and in a very few moments they
so wrought upon her, that she pushed the door farther open and entered
the room. What she saw was a barren, common little place, and on the bed
a girl lying utterly prostrated by an hysteric tempest which had lasted
hours. Her face was white and swollen and covered with red marks, as if
she had clutched and torn it with her fingers, her dress was torn open at
the bosom, and her hair tumbled, torn, and loose about the pillow; there
was a discoloured place upon her forehead which was settling into a
bruise. Her eyes were puffed with crying until they were almost closed.
Her breast rose with short, exhausted, but still convulsive sobs. Margery
felt as if she was drawn into a vortex of agony. She could not resist it.
She went to the bed, stood still a second, trembling, and then sank upon
her knees and put her face down upon the wretched hand nearest and kissed
it with piteous impulsive sympathy.
"Oh! don't cry like that," she said, crying herself. "Oh, don't! Oh,
don't! I'm so sorry for you--I'm _so_ sorry for you."
Public-domain text, read in full here on John Shaqi.
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