In old Narragansett; romances and realities — John Shaqi
In old Narragansett; romances and realitiesEarle, Alice Morse
History
In old Narragansett; romances and realities
Earle, Alice Morse
Narragansett Bay Region (R.I.) -- History -- Fiction; Short stories, American
I have dwelt somewhat at length on the sturdy fighting ancestry of
this weaver, with a distinct sense of pleasure at the quality of
his forebears. He is, in the best sense, a pure American, with not
a drop of admixture of the blood from recent immigrations. Some of
his ancestors were those who made the original Petaquamscut purchase
from the Indians, and here he lives on the very land they purchased.
It is such examples as this that give dignity to New England rural
life, give us a sense of not being offensively new. In my genealogical
researches in England I have not found such cases nearly as common as
in New England. Surprise and even annoyance is shown in England at
your expectation and hope to find descendants of the original owners
occupying farm-houses and manors two hundred years old.
Had the weaving been the only portion of the work done in the
farm-house it would seem an important addition to the round of domestic
duties, but every step in the production of clothing was done at home,
as expressed by Miss Hazard of her great-grandfather’s household in
Narragansett: “From the shepherd who dagged the sheep, the wool-comber
who combed the wool, the spinners who spun, the weavers who wove, all
in regular order till the travelling tailor made the clothes up, and
Thomas Hazard went to meeting in a suit made from wool of his own
growing.” The “all-wool goods, yard wide,” which we so glibly purchase
to-day meant to the Narragansett dame the work of months from the time
the fleeces were given to her deft fingers. After dag-locks, bands,
feltings, tarred locks, were skilfully cut out, the white locks were
carefully tossed and separated, and tied in net bags with tallies, to
be dyed. The homely saying, “dyed in the wool,” indicated a process
of much skill. Indigo furnished the blue shades, madder and logwood
the red. Sassafras, fustic, hickory, and oak bark furnished yellow
and brown. It will be noted that the old-time dyes were all vegetable.
After the dyeing mixed colors could be made by spreading in layers and
carding them over and over again. In carding wool, the cards should
be kept warm and the wool very slightly greased with rape-oil or
“swines’-grease.” At last the wool was carded into light rolls and was
ready for the wheel.
An old writer says, “The action of spinning must be learned by
practice, not by relation.” The grace and beauty of wool-spinning, ever
sung by the poets, need not be described. Stepping lightly backward and
forward, with arms at times high in the air, now low at the side, often
by the light only of the fire, the worker, no matter what her age,
seemed the perfection of the grace of motion; and the beauty of the
occupation makes the name of spinster (the only title by law of every
single woman) a title of honor and dignity.
Public-domain text, read in full here on John Shaqi.
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