"Miss Napier is going to be my wife; and I know she will never have the
courage to confront my friends—rather, I should say, I shall never allow
her to sue in any way for recognition from them. You see? Then I
shouldn’t like to have my wife brought face to face with people who have
paid to see her; and so—and so, Jack, I am going to give up England."
"You are paying a long price for wedded happiness, Harry."
"There I differ with you, Jack. But never mind. I want you to help me
in getting up a quiet little wedding down in Berks; for I know she will
never consent to meeting my relatives and all the riff-raff of my
acquaintances——"
"Thank you, Harry."
"And I am sure she will be glad to leave the stage at once, if that is
possible."
"What a pace you have! You’re at the end of everything when other
people are thinking of the beginning. But, in good faith, Harry, you
are to be congratulated; and you may rely on my services and secrecy to
the last."
And to Harry Ormond, when he went outside that night, it seemed as if
all the air around him were full of music.
CHAPTER II.
THE LOOK BACK.
How still the lake of Thun lay, under the fierce heat! The intense blue
of it stretched out and over to the opposite shore, and there lost
itself in the soft green reflection of the land; while the only
interruption of the perfect surface was a great belt of ruffled light
stirred by the wind underneath the promontory of Spiez. Then overhead
the misty purple mass of the Niessen; and beyond that again the snowy
peaks of the Schreckhorn, Mönch, and Jungfrau glimmering through the
faint and luminous haze of the sunlight; and over these the serene blue
of a Swiss sky. Down in front of the house the lake narrowed to the
sharp point at which it breaks suddenly away into the rapid, surging
green-white waters of the Aar; and at this moment, as seen from the open
window, two men in a low flat boat were vainly endeavouring to make head
against the powerful current.
At the window sate a little girl of about four years old, with large
dark grey eyes, a bright, clear face, and magnificent jet-black curls; a
doll-looking little thing, perhaps, but for the unusual depth and
meaning of those soft, large eyes. All at once she put her elbows on a
tiny card-table opposite her, clasped her hands, and said, with a
piteous intonation:
"Nu, Nu; oh, I don’t know what to do!"
Her father, who had been lying silent and listless on a couch in the
shadow of the room, looked up and asked her what was the matter.
"My doll is lying out in the sun," she said, in accents of comic
despair, "and the poor thing must be getting a headache, and I am not
allowed, Nu says, to go out just now."
"What a little actress she is!" her father muttered, as he returned,
with a slight laugh, to his day dreaming.
Public-domain text, read in full here on John Shaqi.
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