And she _was_ an actress—every atom of her. She had not the least
self-consciousness; the assuming of appropriate speech and gesture was
to her more natural than the bashful sense of personality with which
most children are burdened. A true actress will smile quite naturally
into the Polyphemus eye of a camera; a false actress will be conscious
of deceit even in dressing herself to have her portrait taken. This
child of four had the self-abandonment of genius in her mimetic efforts.
She coaxed her mother and wheedled her father with an artless art which
was quite apparent; and her power of copying the tender phrases she
heard used was only equalled by the dramatic manner in which she
delivered them. The appeal to "Nu"—which was a contraction for
"nurse"—was her invariable method of expressing intense despair. If her
mamma reprimanded her; if she lost one of her toys; or if she merely
felt out of sorts—it was all the same: down went the elbows and out came
the pitiful exclamation, "Oh, Nu, Nu, I don’t know what to do." This
little girl was the daughter of the Marquis of Knottingley, who now lay
upon the couch over there; and it is of her that the present history
purposes to speak.
For Harry Ormond had been right in his surmise. The young actress begged
him not to insist upon her meeting his friends and acquaintances; and
he, to whom no sacrifice was then great enough to show his gratitude for
her love, readily consented to go abroad after the quiet little ceremony
which took place down in Berkshire. They went to Thun, and lived in
this house which lay some short distance from the village, overlooking
the beautiful lake; and here Lord Knottingley forgot his old world, as
he was by it forgotten. His marriage was known only to a few, though it
was suspected by many, and coupled with the unexpected withdrawal from
the stage of Annie Napier. In the end, however, the matter dropped into
oblivion, and Harry Ormond was no more thought of.
For several years they lived there a still and peaceful existence,
varied only by an occasional excursion southward into Italy. The halo
of his romantic passion still lingered around his young wife; and in the
calm delight of her presence he forgot old associations, old friends,
old habits.
"You cannot expatriate a married man," he used to say, "for he carries
with him that which makes a home for him wherever he goes."
She, too, was very happy in those days. She could never be persuaded
that her husband had not made a great sacrifice in coming abroad for her
sake; and she strove to repay him with all the tenderness and gratitude
and love of a noble nature. She simply worshipped this man; not even
the great affection she bore her bright-eyed quaint little daughter
interfered with the one supreme passion. To her he was a miracle of all
honourable and lovable qualities; never had any man been so generous,
heroic, self-denying.
Public-domain text, read in full here on John Shaqi.
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