In the Arena: Stories of Political LifeTarkington, Booth
General
In the Arena: Stories of Political Life
Tarkington, Booth
Political fiction, American; United States -- Social life and customs -- Fiction
“I suppose you think it's mighty hard that your private character
should be used against you in a political question by a man you call a
public corruptionist. But I'm in a position where I can't take any
chances against an antagonist that won't play the game my way. I had
to find your vulnerable point to defend myself, and, in finding it, I
find that there's no need to defend myself any longer, because it
makes all your weapons ineffective. I believe the trouble with you,
Mr. Knowles, is that you've never realized that politicians are human
beings. But we are: we breathe and laugh and like to do right, like
other folks. And, like most men, you've thought you were different
from other men, and you aren't. So, here you are. I believe you said
you'd had a hard night?”
Knowles looked up at last, his lips working for a while before he
could speak. “I'll resign now--if you'll--if you'll let me off,” he
said.
Gorgett shook his head. “I've got the election in my hand,” he
answered, “though you fellows don't know it. You've got nothing to
offer me, and you couldn't buy me if you had.”
At that, Knowles just sank into himself with a little, faint cry, in a
kind of heap. There wasn't anything but anguish and despair _to_
him. Big tears were sliding down his cheeks.
I didn't say anything. Gorgett sat looking at him for a good while;
and then his fat chin began to tremble a little and I saw his eyes
shining in the shadow under his old hat-brim.
He got up and went over to Farwell with slow steps and put his hand
gently on his shoulder.
“Go on home to your wife,” he said, in a low voice that was the
saddest I ever heard. “I don't bear you any ill-will in the
world. Nobody's going to give you away.”
THE ALIENS
Pietro Tobigili, that gay young chestnut vender--he of the radiant
smiles--gave forth, in his warm tenor, his own interpretation of “Ach
du lieber Augustine,” whenever Bertha, rosy waitress in the little
German restaurant, showed her face at the door. For a month it had
been a courtship; and the merchant sang often:
_“Ahaha, du libra Ogostine,
Ogostine, Ogostine!
Ahaha, du libra Ogostine,
Nees coma ross.”_
The acquaintance, begun by the song and Pietro's wonderful laugh, had
grown tender. The chestnut vender had a way with him; he looked like
the “Neapolitan Fisher Lad” of the chromos, and you could have fancied
him of two centuries ago, putting a rose in his hair; even as it was,
he had the ear-rings. But the smile of him it was that won Bertha,
when she came to work in the little restaurant. It was a smile that
put the world at its ease; it proclaimed the coming of morning over
the meadows, and, taking every bystander into an April friendship, ran
on suddenly into a laugh that was like silver, and like a strange
puppy's claiming you for the lost master.
Public-domain text, read in full here on John Shaqi.
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