In the Arena: Stories of Political LifeTarkington, Booth
General
In the Arena: Stories of Political Life
Tarkington, Booth
Political fiction, American; United States -- Social life and customs -- Fiction
“I help--_you_!” she cried loudly. Then, with a sudden fit of
sobbing, she flung open the gate and ran at the top of her speed into
the house.
Halcyon the days for Pietro Tobigli, extravagant the jocularity of
this betrothed one. And, as his happiness, so did his prosperity
increase; the little chestnut furnace became the smallest adjunct of
his affairs; for he leaped (almost at one bound) to the proprietorship
of a wooden stand, shaped like the crate of an upright piano and
backed up against the brick wall of the restaurant--a mercantile house
which was closed at night by putting the lid on. All day long Toby's
smile arrested pedestrians, and compelled them to buy of him, making
his wares sweeter in the mouth. Bertha dwelt in a perpetual serenade:
on warm days, when the restaurant doors were open, she could hear him
singing, not always “Ogostine,” but festal lilts of Italy, liquid and
strangely sweet to her; and at such times, when the actual voice was
not in her ears, still she blushed with delight to hear in her heart
the thrilling echoes of his barcaroles, and found them humming
cheerily upon her own lips.
Toby was to save five hundred dollars before they married, a great
sum, but they were patient and both worked very hard. The winter would
have fallen bitterly upon an outdoor merchant lacking Toby's confident
heart, but on the coldest days, when Bertha looked out, she always
found him slapping his hands, and trudging up and down in the snow in
front of the little box; and, as soon as he caught sight of
her--“Aha-ha, du libra Ogostine, Ogostine, Ogostine!”
She saved her own money with German persistence, and on Christmas day
her present to her betrothed, in return for a coral pin, was a pair of
rubber boots filled with little cakes.
Elysium was the dwelling-place of Pietro Tobigli, though, apparently,
he abode in a horrible slum cellar with Leo Vesschi and the five Latti
brothers. In this place our purveyor of sweetmeats was the only
light. Thither he had carried his songs and his laugh and his furnace
when he came from Italy to join Vesschi; and there he remained, partly
out of loyalty to his un-prosperous comrades, and partly because his
share of the expense was only twenty-five cents a week, and every
saving was a saving for Bertha. Every evening, on the homeward walk,
the affianced pair passed the hideous stairway that led down to the
cellar, and Bertha, neat soul, never failed to shudder at it. She did
not know that Pietro lived there, for he feared it might distress her;
nor could she ever persuade him to tell her where he lived.
Because of this mystery, upon which he merrily insisted, she affected
a fear that he would some day desert her. “You don' tell me where you
lif, I t'ink you goin' ran away of me, Toby. I vake opp some day; git
a ledder dod you gone back home by 'Talian lady dod's grazy 'bout
you!”
Public-domain text, read in full here on John Shaqi.
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