She never knew afterwards quite what she had done to settle it, and at
the time she only knew that they presently moved, with vagueness, yet
with continuity, away from the picture of the lighted vestibule and the
quiet stairs and well up the street together. This also must have been
in the absence of a definite permission, of anything vulgarly
articulate, for that matter, on the part of either; and it was to be,
later on, a thing of remembrance and reflexion for her that the limit
of what just here for a longish minute passed between them was his
taking in her thoroughly successful deprecation, though conveyed
without pride or sound or touch, of the idea that she might be, out of
the cage, the very shop-girl at large that she hugged the theory she
wasn’t. Yes, it was strange, she afterwards thought, that so much could
have come and gone and yet not disfigured the dear little intense
crisis either with impertinence or with resentment, with any of the
horrid notes of that kind of acquaintance. He had taken no liberty, as
she would have so called it; and, through not having to betray the
sense of one, she herself had, still more charmingly, taken none. On
the spot, nevertheless, she could speculate as to what it meant that,
if his relation with Lady Bradeen continued to be what her mind had
built it up to, he should feel free to proceed with marked
independence. This was one of the questions he was to leave her to deal
with—the question whether people of his sort still asked girls up to
their rooms when they were so awfully in love with other women. Could
people of his sort do that without what people of _her_ sort would call
being “false to their love”? She had already a vision of how the true
answer was that people of her sort didn’t, in such cases, matter—didn’t
count as infidelity, counted only as something else: she might have
been curious, since it came to that, to see exactly what.
Public-domain text, read in full here on John Shaqi.
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