In the Days of the CometWells, H. G. (Herbert George)
Science
In the Days of the Comet
Wells, H. G. (Herbert George)
Comets -- Collisions with Earth -- Fiction; Political fiction; Science fiction; Utopian fiction; Utopias -- Fiction
“Yes,” I said; “it is true. And the same dark wave that lifted you,
swept me on to follow. With that revolver—and blubbering with hate. And
the word to you, Nettie, what was it? ‘Give?’ Hurl yourself down the
steep?”
Nettie’s hands fell upon the table. “I can’t tell what it was,” she
said, speaking bare-hearted straight to me. “Girls aren’t trained as
men are trained to look into their minds. I can’t see it yet. All sorts
of mean little motives were there—over and above the ‘must.’ Mean
motives. I kept thinking of his clothes.” She smiled—a flash of
brightness at Verrall. “I kept thinking of being like a lady and
sitting in an hotel—with men like butlers waiting. It’s the dreadful
truth, Willie. Things as mean as that! Things meaner than that!”
I can see her now pleading with me, speaking with a frankness as bright
and amazing as the dawn of the first great morning.
“It wasn’t all mean,” I said slowly, after a pause.
“No!” They spoke together.
“But a woman chooses more than a man does,” Nettie added. “I saw it all
in little bright pictures. Do you know—that jacket—there’s something———
You won’t mind my telling you? But you won’t now!”
I nodded, “No.”
She spoke as if she spoke to my soul, very quietly and very earnestly,
seeking to give the truth. “Something cottony in that cloth of yours,”
she said. “I know there’s something horrible in being swung round by
things like that, but they did swing me round. In the old time—to have
confessed that! And I hated Clayton—and the grime of it. That kitchen!
Your mother’s dreadful kitchen! And besides, Willie, I was afraid of
you. I didn’t understand you and I did him. It’s different now—but then
I knew what he meant. And there was his voice.”
“Yes,” I said to Verrall, making these discoveries quietly, “yes,
Verrall, you have a good voice. Queer I never thought of that before!”
We sat silently for a time before our vivisected passions.
“Gods!” I cried, “and there was our poor little top-hamper of
intelligence on all these waves of instinct and wordless desire, these
foaming things of touch and sight and feeling, like—like a coop of hens
washed overboard and clucking amidst the seas.”
Verrall laughed approval of the image I had struck out. “A week ago,”
he said, trying it further, “we were clinging to our chicken coops and
going with the heave and pour. That was true enough a week ago. But
to-day———?”
“To-day,” I said, “the wind has fallen. The world storm is over. And
each chicken coop has changed by a miracle to a vessel that makes head
against the sea.”
§ 4
“What are we to do?” asked Verrall.
Nettie drew a deep crimson carnation from the bowl before us, and began
very neatly and deliberately to turn down the sepals of its calyx and
remove, one by one, its petals. I remember that went on through all our
talk. She put those ragged crimson shreds in a long row and adjusted
them and readjusted them. When at last I was alone with these vestiges
the pattern was still incomplete.
Public-domain text, read in full here on John Shaqi.
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