A chest, also singularly grained and streaked, of two large and two small drawers, held Parload’s reserve of garments, and pegs on the door carried his two hats and completed this inventory of a “bed-sitting-room” as I knew it before the Change. But I had forgotten—there was also a chair with a “squab” that apologized inadequately for the defects of its cane seat. I forgot that for the moment because I was sitting on the chair on the occasion that best begins this story. I have described Parload’s room with such particularity because it will help you to understand the key in which my earlier chapters are written, but you must not imagine that this singular equipment or the smell of the lamp engaged my attention at that time to the slightest degree. I took all this grimy unpleasantness as if it were the most natural and proper setting for existence imaginable. It was the world as I knew it. My mind was entirely occupied then by graver and intenser matters, and it is only now in the distant retrospect that I see these details of environment as being remarkable, as significant, as indeed obviously the outward visible manifestations of the old world disorder in our hearts. § 2 Parload stood at the open window, opera-glass in hand, and sought and found and was uncertain about and lost again, the new comet. I thought the comet no more than a nuisance then because I wanted to talk of other matters. But Parload was full of it. My head was hot, I was feverish with interlacing annoyances and bitterness, I wanted to open my heart to him—at least I wanted to relieve my heart by some romantic rendering of my troubles—and I gave but little heed to the things he told me. It was the first time I had heard of this new speck among the countless specks of heaven, and I did not care if I never heard of the thing again.