In the Days of the CometWells, H. G. (Herbert George)
Science
In the Days of the Comet
Wells, H. G. (Herbert George)
Comets -- Collisions with Earth -- Fiction; Political fiction; Science fiction; Utopian fiction; Utopias -- Fiction
You must understand—and every year it becomes increasingly difficult to
understand—how entirely different the world was then from what it is
now. It was a dark world; it was full of preventable disorder,
preventable diseases, and preventable pain, of harshness and stupid
unpremeditated cruelties; but yet, it may be even by virtue of the
general darkness, there were moments of a rare and evanescent beauty
that seem no longer possible in my experience. The great Change has
come for ever more, happiness and beauty are our atmosphere, there is
peace on earth and good will to all men. None would dare to dream of
returning to the sorrows of the former time, and yet that misery was
pierced, ever and again its gray curtain was stabbed through and
through by joys of an intensity, by perceptions of a keenness that it
seems to me are now altogether gone out of life. Is it the Change, I
wonder, that has robbed life of its extremes, or is it perhaps only
this, that youth has left me—even the strength of middle years leaves
me now—and taken its despairs and raptures, leaving me judgment,
perhaps, sympathy, memories?
I cannot tell. One would need to be young now and to have been young
then as well, to decide that impossible problem.
Perhaps a cool observer even in the old days would have found little
beauty in our grouping. I have our two photographs at hand in this
bureau as I write, and they show me a gawky youth in ill-fitting
ready-made clothing, and Nettie—Indeed Nettie is badly dressed, and her
attitude is more than a little stiff; but I can see her through the
picture, and her living brightness and something of that mystery of
charm she had for me, comes back again to my mind. Her face has
triumphed over the photographer—or I would long ago have cast this
picture away.
The reality of beauty yields itself to no words. I wish that I had the
sister art and could draw in my margin something that escapes
description. There was a sort of gravity in her eyes. There was
something, a matter of the minutest difference, about her upper lip so
that her mouth closed sweetly and broke very sweetly to a smile. That
grave, sweet smile!
Public-domain text, read in full here on John Shaqi.
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