Enter R. U. E. a four-ox team hauling a cart laden with a printing press and a printer's outfit; following that are other ox teams hauling carts laden with tents and bedding, household goods, lumber, and provisions. A four-horse team hauling merchandise, and a span of mules hitched to a spring wagon come crashing up through the timber by the stream. Men and women are walking beside the oxen or the teams and are riding in the covered wagons. They are eagerly seeking something. It is the equality of opportunity that is supposed to be found in the virgin prairies of the new West. The men are nearly all veterans of the late war, for the most part bearded youngsters in their twenties or early thirties. The women are their fresh young wives. As the procession halts before the canvas, the men and women begin to unpack the wagons and to line out on each side of an imaginary street in the prairie. The characters are discovered as follows: Amos Adams, a red-bearded youth of twenty-nine and Mary Sands, his wife. They are printers and begin unpacking and setting up the printing material in a tent. Dr. James Nesbit and Bedelia Satterthwaite, his wife, in the tent beside the Adamses. Captain Ezra Morton, and Ruth his wife; he is selling a patent, self-opening gate. Ahab Wright, in side whiskers, white necktie, flannel shirt and carefully considered trousers tucked in shiny boots. Daniel Sands, Jane, his young wife, and Mortimer, her infant stepson. Daniel owns the merchandise in the wagon. Casper Herdicker, cobbler, and Brunhilde Herdicker, his wife. Herman Mueller, bearded, coarse-featured, noisy; a Pennsylvania Dutchman, his faded, rope-haired, milk-eyed, sickly wife and Margaret, their baby daughter. Kyle Perry, owner of the horses and spring wagon. Dick Bowman, Ira Dooley, Thomas Williams, James McPherson, Dennis Hogan, a boy, laborers. As other characters enter during the early pages of the story they shall be properly introduced. As the actors unload their wagons the spectators may notice above their heads bright, beautiful and evanescent forms coming and going in and out of being. These are the visions of the pioneers, and they are vastly more real than the men and women themselves. For these visions are the forces that form the human crystal.