Here abideth these three: sunshine and prairie grass and blue sky, cloud
laden. These for ages have held domain and left the scene unchanged.
When lo--at Upper Middle Entrance,--enter love! And love witched the
dreams and visions of those who toiled in the sunshine and prairie grass
under the blue sky cloud laden. And behold what they visioned in the
witchery of love, took form and spread upon the prairie in wood and
stone and iron, and became a part of the life of the Nation. Blind men
in other lands, in other times looked at the Nation and saw only wood
and stone and iron. Yet the wood and stone and iron should not have
symbolized the era in America. Rather should the dreams and visions of
the pioneers, of those who toiled under the sunshine and in the prairie
grass have symbolized our strength. For half a century later when the
world was agonizing in a death grapple with the mad gods of a crass
materialism, mankind saw rising from the wood and stone and iron that
had seemed to epitomize this Nation, a spirit which had lain hidden yet
dormant in the Nation's life--a beautiful spirit of idealism strong,
brave and humbly wise; the child of the dreams and visions and the love
of humanity that dwelled in the hearts of the pioneers of that earlier
time.
But this is looking forward. So let us go back to scene one, act one, in
those days before the sunshine was shaded, the prairie grass worn off,
and the blue sky itself was so stained and changed that the meadow-lark
was mute!
And now we are ready for the curtain: and--music please.
CHAPTER II
IN WHICH WE INTRODUCE THE FOOL AND HIS LADY FAIR AND WHAT HE SAID IN HIS
HEART--THE SAME BEING THE THEME AND THESIS OF THIS STORY
Public-domain text, read in full here on John Shaqi.
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