In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881 — John Shaqi
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
At the Opera the prima donna was ridiculously fat, and to a man unmusical
this somewhat destroys the illusion—but then the _fauteuils d’orchestre_
only cost ten francs. I also went to an Armenian theatre, but it had the
national characteristics, squalor and misery, and I did not repeat the
visit. I failed even to see an Armenian piece (if such a thing exists),
but sat out a fearful edition of ‘The Chiffonier of Paris;’ and I was
told that all the pieces played in Constantinople (Pera) in Armenian were
mere translations.
Even the delights of gaming were permitted in Pera. A few doors from
Messeri’s was the Café “Flam,” as it was affectionately called by the
Pera youth. “Café Flamand” was, I fancy, its real title. Here were played
“pharaon” and roulette. I was recommended the former game, for economical
reasons—it took _longer_ to lose a napoleon. Nobody seemed to win at
either game, but pharaon certainly “took longer.” I was not tempted to
make frequent visits, as I had played for some small sums at Baden-Baden
a year or two before. There one was at least cheated fairly; here the
robbery was open.
A few days after the New Year the Colonel told me that we should really
leave for Persia by the very first opportunity. I bid farewell to all
the kind friends I had made, had my photo taken in breeches, boots,
and revolver at Abdullah’s—a weakness every Englishman who reaches
Constantinople is guilty of. It does not do to be too oriental. At
Abdullah’s I purchased a fearful-looking type, marked a Bashi-bazouk, and
found it out afterwards to be the portrait of a man whose acquaintance
I made in Persia, the Dutch Consul in Bushire; but he made a very good
type, being a big man; and he literally bristled with weapons, and seemed
capable of any atrocities.
One fine afternoon, on January 5th, 1867, we were rowed on board the
Russian steamer _Oleg_. We had an English-speaking captain, who was
genial and communicative. My chief was confined to his cabin; and as
there was nothing to read and nothing to do, I saw a good deal of
the Russian. He told me that all the commanders of their mail-boats
were naval officers, and that all the mail-boats could be turned into
war-steamers at a few hours’ notice, merely requiring the guns to be put
into them: “so that, as you English don’t let us have war-vessels on the
Black Sea, we run a superior class of mail-boat” (built, however, on the
Clyde). And a very superior boat she was.
I was told by the captain to avoid the high-priced wines, and stick to
white Crimean. This was a particularly delicious light wine, like a good
Sauterne; and I find, from after experience of Russian railway buffets,
which far exceed anything of the sort we have in grandeur, that, as a
rule, the liquor is simply fair red and white country wine, the only
difference being in price and label.
Public-domain text, read in full here on John Shaqi.
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