I wonder why I write about these things. As if I didn't know them! Why
do I tell myself in writing what I already so well know? Don't I know
about the mountain, and the brimming cup of blue light? It is because,
I suppose, it's lonely to stay inside oneself. One has to come out and
talk. And if there is no one to talk to one imagines someone, as though
one were writing a letter to somebody who loves one, and who will want
to know, with the sweet eagerness and solicitude of love, what one does
and what the place one is in looks like. It makes one feel less lonely
to think like this,--to write it down, as if to one's friend who cares.
For I'm afraid of loneliness; shiveringly, terribly afraid. I don't mean
the ordinary physical loneliness, for here I am, deliberately travelled
away from London to get to it, to its spaciousness and healing. I mean
that awful loneliness of spirit that is the ultimate tragedy of life.
When you've got to that, really reached it, without hope, without
escape, you die. You just can't bear it, and you die.
_July 24th._
It's queer the urge one has to express oneself, to get one's self into
words. If I weren't alone I wouldn't write, of course, I would talk. But
nearly everything I wanted to say would be things I couldn't say. Not
unless it was to some wonderful, perfect, all-understanding
listener,--the sort one used to imagine God was in the days when one
said prayers. Not quite like God though either, for this listener would
sometimes say something kind and gentle, and sometimes, stroke one's
hand a little to show that he understood. Physically, it is most blessed
to be alone. After all that has happened, it is most blessed. Perhaps I
shall grow well here, alone. Perhaps just sitting on these honey-scented
grass slopes will gradually heal me. I'll sit and lick my wounds. I do
so dreadfully want to get mended! I do so dreadfully want to get back to
confidence in goodness.
_July 25th._
For three days now I've done nothing but lie in the sun, except when
meals are put in the open doorway for me. Then I get up reluctantly,
like some sleepy animal, and go and eat them and come out again.
In the evening it is too cold and dewy here for the grass, so I drag a
deep chair into the doorway and sit and stare at the darkening sky and
the brightening stars. At ten o'clock Antoine, the man of all work who
has looked after the house in its years of silence during the war, shuts
up everything except this door and withdraws to his own room and his
wife; and presently I go in too, bolting the door behind me, though
there is nothing really to shut out except the great night, and I creep
upstairs and fall asleep the minute I'm in bed. Indeed, I don't think
I'm much more awake in the day than in the night. I'm so tired that I
want to sleep and sleep; for years and years; for ever and ever.
Public-domain text, read in full here on John Shaqi.
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