In the Tennessee mountainsCraddock, Charles Egbert
General
In the Tennessee mountains
Craddock, Charles Egbert
Mountain life -- Tennessee -- Fiction; Short stories, American; Tennessee -- Social life and customs -- 19th century -- Fiction
There was a long pause. Lost Creek sounded some broken minor chords,
as it dashed against the rocks on its headlong way. The wild grapes
were blooming. Their fragrance, so delicate yet so pervasive, suggested
some exquisite unseen presence--the dryads were surely abroad! The
beech-trees stretched down their silver branches and green shadows.
Through rifts in the foliage shimmered glimpses of a vast array of
sunny parallel mountains, converging and converging, till they seemed
to meet far away in one long, level line, so ideally blue that it
looked less like earth than heaven. The pine-knots flamed and glistered
under the great wash-kettle. A tree-toad was persistently calling
for rain, in the dry distance. The girl, gravely impassive, beat the
clothes with the heavy paddle. Her mother shortly ceased to prod the
white heaps in the boiling water, and presently took up the thread of
her discourse.
"An' 'Vander hev got ter be a mighty suddint man. I hearn tell, when
I war down ter M'ria's house ter the quiltin', ez how in that sorter
fight an' scrimmage they hed at the mill, las' month, he war powerful
ill-conducted. Nobody hed thought of hevin' much of a fight,--thar hed
been jes' a few licks passed a-twixt the men thar; but the fust finger
ez war laid on this boy, he jes' lit out an' fit like a catamount.
Right an' lef' he lay about him with his fists, an' he drawed his
huntin' knife on some of 'em. The men at the mill war in no wise
pleased with him."
"'Pears-like ter me ez 'Vander air a peaceable boy enough, ef he ain't
jawed at, an' air lef' be," drawled Cynthia.
Her mother was embarrassed for a moment. Then, with a look both sly
and wise, she made an admission,--a qualified admission. "Waal,
wimmen--ef--ef--ef they air young an' toler'ble hard-headed _yit_, air
likely ter jaw _some_, ennyhow. An' a gal oughtn't ter marry a man ez
hev sot his heart on bein' lef' in peace. He's apt ter be a mighty sour
an' disapp'inted critter."
This sudden turn to the conversation invested all that had been said
with new meaning, and revealed a subtle diplomatic intention. The girl
seemed deliberately to review it, as she paused in her work. Then, with
a rising flush, "I ain't studyin' 'bout marryin' nobody," she asserted
staidly. "I hev laid off ter live single."
Public-domain text, read in full here on John Shaqi.
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