In the Tennessee mountainsCraddock, Charles Egbert
General
In the Tennessee mountains
Craddock, Charles Egbert
Mountain life -- Tennessee -- Fiction; Short stories, American; Tennessee -- Social life and customs -- 19th century -- Fiction
Mrs. Ware had overshot the mark, but she retorted, gallantly reckless,
"That's what yer aunt Malviny useter declar' fur gospel sure, when she
war a gal. An' she hev got ten chil'ren, an' hev buried two husbands,
an' ef all they say air true she's tollin' in the third man now. She's
a mighty spry, good-featured woman an' a fust-rate manager, yer aunt
Malviny air, an' both her husbands lef' her su'thin',--cows, or wagons,
or land. An' they war quiet men when they war alive, an' stays whar
they air put, now that they air dead; not like old Parson Hoodenpyle
what his wife hears stumpin' round the house an' preachin' every night,
though she air ez deef ez a post, an' he hev been in glory twenty
year,--twenty year, an' better. Yer aunt Malviny hed luck, so mebbe 't
ain't no killin' complaint fur a gal ter git ter talkin' like a fool
about marryin' an' sech. Leastwise, I ain't minded ter sorrow."
She looked at her daughter with a gay grin, which, distorted by her
toothless gums and the wreathing steam from the kettle, enhanced her
witch-like aspect and was spuriously malevolent. She did not notice the
stir of an approach through the brambly tangles of the heights above
until it was close at hand; as she turned, she thought only of the
mountain cattle,--to see the red cow's picturesque head and crumpled
horns thrust over the sassafras bushes, or to hear the brindle's
clanking bell. It was certainly less unexpected to Cynthia when a young
mountaineer, clad in brown jeans trousers and a checked homespun shirt,
emerged upon the rocky slope. He still wore his blacksmith's leather
apron, and his powerful corded hammer-arm was bare beneath his tightly
rolled sleeve. He was tall and heavily built; his sun-burned face was
square, with a strong lower jaw, and his features were accented by
fine lines of charcoal, as if the whole were a clever sketch. His black
eyes held fierce intimations, but there was mobility of expression
about them that suggested changing impulses, strong but fleeting. He
was like his forge fire: though the heat might be intense for a time,
it fluctuated with the breath of the bellows. Just now he was meekly
quailing before the old woman, whom he evidently had not thought to
find here. It was as apt an illustration as might be, perhaps, of
the inferiority of strength to finesse. She seemed an inconsiderable
adversary, as haggard, lean, and prematurely aged she swayed on her
prodding-stick about the huge kettle; but she was as a veritable David
to this big young Goliath, though she too flung hardly more than a
pebble at him.
"Laws-a-me!" she cried, in shrill, toothless glee; "ef hyar ain't
'Vander Price! What brung ye down hyar along o' we-uns, Vander?" she
continued, with simulated anxiety. "Hev that thar red heifer o' our'n
lept over the fence agin, an' got inter Pete's corn? Waal, sir, ef she
ain't the headin'est heifer!"
Public-domain text, read in full here on John Shaqi.
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