In the vine countrySomerville, E. Oe. (Edith Oenone)
General
In the vine country
Somerville, E. Oe. (Edith Oenone)
France -- Description and travel
The vintage had hardly begun. We had to drive for some distance before
we saw the first group of _vendangeurs_, standing waist-deep in the
vines, snipping off the bunches and putting them into square wooden
baskets, eating grapes by handfuls, and talking in a penetrating,
incessant gabble that was as strident on the quiet vineyard slope as
were the dazzling white sun-bonnets and kerchiefs and blue blouses in
the toneless expanse of green. The Treasure pulled up, informing us that
here was a suitable subject for photography, and we docilely got the
Kodak into position. The vintagers turned as one man to stare at us, and
we tried to isolate some half-dozen in the little focussing mirror,
while the Treasure leaped from his box, and, circulating among the
crowd, explained to them his position of proprietor of the entertainment
with a sense of its humour that was only kept within bounds by the still
stronger sense of self-importance. My cousin balanced the Kodak on her
arm with all care, and said, ‘_Maintenant très tranquille, s’il vous
plaît!_’ to the mirrored half-dozen, who with one accord shrieked with
delight, put their arms round each other, did their hair, and otherwise
prepared themselves for the ordeal.
‘How fortunate it is that they don’t object to being photographed!’ said
my cousin. ‘Now, you pull the bobbin--I mean the button--and I will
press the other thing.’
There followed a disintegrating click from the heart of the Kodak.
‘The photograph is taken,’ said my cousin, not as confidently as could
have been wished. ‘What _did_ the book say we were to do next?’
‘Put a penny in the slot,’ I suggested.
‘Idiot!’ replied my cousin, searching in my sketching wallet on the
earthquake principle--that is, to go at once to the lowest depths, and
then to burst upwards and outwards through all resisting elements.
‘_Here_ is the book! It says we are now to turn this handle and replace
the cap.’
The handle was turned, and it was then discovered that the cap was
irretrievably lost. It was not on the floor of the wagonette, it was not
in our pockets, it was not in the hood of my cousin’s cloak, or in her
hand, or anywhere that it might reasonably have been. We said that we
would hold a hat over the thing instead, and on going to the front for
this purpose I became aware that the black cap was nestling in its
usual place in front of the lens. It was one of the bitterest points of
the incident that at this moment the group at whom the Kodak’s sightless
eye had been directed, advanced upon us to see results, doubtless
expecting that each of its six members would receive on the spot a
picture on glass with a brass frame.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account