In the vine countrySomerville, E. Oe. (Edith Oenone)
General
In the vine country
Somerville, E. Oe. (Edith Oenone)
France -- Description and travel
It was so surpassingly difficult to explain the accident and the general
peculiarities of the Kodak, and the disappointment and scorn were so
unconcealed when the faltering photographers finally made themselves
understood, that as a possible, though doubtful method of consolation, I
plunged among the vines and began a pencil sketch of the disappointed
ones. In an instant the _cocher_ was at my shoulder, summoning all the
others with a wave of his hand to come and see the show. It is scarcely
necessary to add that they came, and for the next five minutes I and my
models were the centre of a hollow square, which was, so to speak, lined
and canopied with billowy vapours of garlic.
The sketch was finished with unexampled speed, and in the teeth of the
most scathing criticism, the critics showing an artistic intelligence
that was almost unearthly, and for which an experience of the Irish
peasant was no sort of preparation. I broke my way forth from the
square, amidst shrill bursts of laughter and shrieks of ‘_Ciel! Que je
suis vilaine!’ ‘Mais regarde moi un peu le chapeau de Jeanne!’ ‘Eh!
Dieu! C’est pas moi ça! Ouf! C’est vilaine!_’ and, having collected my
cousin from red-handed gluttony in the background, we succeeded in
driving away in time to prevent the sketch-book being torn bodily out of
my hand.
We ventured after a few minutes to ask the Treasure where he was now
taking us, and after a long and meditative grin at each of us in turn,
he condescended to tell us that we were going to see the vintagers at
their dinner. Almost as he spoke we whirled in at the gate of a big
yard, and saw, under a penthouse at the end of it, a kind of school
feast going on: rows of tables covered with platters and jugs, and rows
of vintagers devouring untold quantities of vintage soup. Our _cocher_
drove straight up to these, and, having whirled showily round, drew up
with the air of Napoleon confronting his army, and addressed the
meeting. As he progressed with his explanation of our mission we
gloomily produced the Kodak, and waited for the outward rush of those
who wished to be immortalised: we were becoming alive to the fact that
the Médoc peasant had not that shrinking from publicity that we had
believed. But providentially the succulent soup, with the meat and
cabbage and bread floating in it, was too good to be left in a hurry,
and at the end of our driver’s address one candidate only came forward,
an extremely plump young lady, with an expression of placid
self-contentment, and an apron of an infuriated Scotch plaid. The
Treasure leaped from his box like an antelope, and, leading her forth to
a convenient spot, proceeded to pose her according to his own ideas.
After a few experimental positions the inspiration came, and we had the
privilege of focussing the fair _vendangeuse_, standing
[Illustration: THE TREASURE WAS POSED BESIDE HER, WITH HIS FAT ARM ROUND
HER NECK.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account