In the vine countrySomerville, E. Oe. (Edith Oenone)
General
In the vine country
Somerville, E. Oe. (Edith Oenone)
France -- Description and travel
placidly heedless of the fact that the Treasure, with his moustache
twisted up to his eyes, from the very extremity of gallantry, was posed
beside her, with his fat arm round her neck. Thus they were
photographed, and as the words ‘_C’est fait_’ were uttered, the
Treasure’s hat was raised with a flourish, and a ponderous kiss was
deposited upon the cheek of beauty. There was a roar of delight from the
luncheon party under the penthouse; even the photographers so far forgot
themselves as to titter sympathetically, and as our _cocher_ whipped up
his horse, and swung out of the yard on two wheels, he turned to us and
winked with an intimacy that made my cousin take out her most unbecoming
pair of spectacles and put them on, in order to sustain the character of
the expedition.
After this the events of the day became blended into a monotony of hot
green vineyards, with pink and white houses on the hazy horizon; narrow
roads, without a fence between their warm yellow gravel and the yellow
gravel in which the vines grow; gangs of
[Illustration: FAWN-COLOURED OXEN.]
vintagers stooping among the plants; fawn-coloured oxen pacing at ease
with their loads; the clack and twang of Bordelais tongues; and, most
prominent of all ingredients, the heat and the Kodak. Every friend of
the _cocher_ was found and photographed, the sketch-book was utilised
for those who insisted on an immediate result, and, as the afternoon
sun began to drop towards the western uplands, we hoped that we might,
in the fulness of time, be permitted to go home. But the Treasure had
yet another friend, one who lived still farther away from Pauillac, and
it was not till we had driven for half an hour that we saw in front of
us the now familiar _chai_, with its arched opening into the _cuvier_,
and its magenta-legged proprietor standing inside in the juice, shovel
in hand. It was becoming too late in the day for the Kodak, and the
_cocher_ desired that a sketch should be made of this most particular
friend, and also of the friend’s wife, whom, in the twinkling of an eye,
he had fetched from her house and placed on the edge of the _pressoir_
in utter absurdity and incongruity. But the artist was too completely
subjugated to remonstrate; even when the sketch-book was snatched from
her by the _cocher_ and deposited in the vinous fingers of the grape
treader with long and loud explanation of every page, she merely sank
back in voiceless despair.
Public-domain text, read in full here on John Shaqi.
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