Inchbracken: The Story of a Fama ClamosaCleland, Robert
General
Inchbracken: The Story of a Fama Clamosa
Cleland, Robert
Historical fiction; Scotland -- Fiction
This sombre background was somewhat relieved by the glints of the
firelight on a few gilt picture frames containing portraits, and by a
few steel engravings built curiously in among the books. Those dear
old engravings, which forty years ago embellished every middle class
home in Scotland,--John Knox preaching, Queen Mary at Leith after Sir
William Allan, and Duncan's stirring memorials of Prince Charlie--they
were good wholesome art for every day life, and likely to stir the
children's hearts, as did the ballads sung round the hearths of an
earlier generation, to an honest love of the brave and the beautiful,
and a sturdy pride in their Scottish birth. We have higher art
now-a-days, or we think so. We spend more money on it; and if not more
discriminative, are at least greatly more critical; but is the moral
influence of our walls on our households better now than it was then?
The boys and girls of to-day will grow up less narrow. Will they be as
loyal and true-hearted?
But to return to the study of the Reverend Roderick Brown, licentiate
of the Free Church of Scotland. On the window-shelf were pots of hardy
roses in luxuriant bloom, and in the distant corner stood a tall
crimson cloth screen of many leaves, behind which were concealed the
bed and toilette appurtenances of his reverence the licentiate. Beyond
this a door communicated with an inner room; but here there are signs
unmistakable of a lady's chamber, so we may not intrude.
Drawn up before the fire there stands a large writing-table, on which
are books and much manuscript, and at one end sits the occupant, deep
in the composition of one of the five or six discourses he will be
expected to deliver in the course of the following week. A tall young
man under thirty, well-proportioned and even athletic, but pale and
thin, and rather worn as regards the face. The straight black hair
which he has tossed back from his face in the throes of composition,
displays a forehead pale, blue-veined, and high, but rather narrow,
eyes dark and deep-set, beneath shaggy brows, in hollow and
blue-rimmed sockets, as of one who has gone through much excitement
and fatigue, but burning with a steady fire of enthusiasm, which seems
as if it would never go out, so long as a drop of the oil of life
remains in the lamp to supply it with fuel. The mouth is long and
flexible, not without signs of firmness and vigor, but gentle and
serene, a smile appearing to lurk in one of the corners, as awaiting
its opportunity to break forth. The whole expression is pure and
unworldly. An observer must have said, that, whether or not he might
be wise and prudent, he did not look like a fool, and he was most
assuredly good.
Public-domain text, read in full here on John Shaqi.
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