In the Baptist Temple, Philadelphia, several hymns were once forcefully
rendered by the great chorus of the church to a congregation of three
thousand people. At the close, slips of paper were passed to the
worshipers, and they were asked to write upon the paper what thoughts
the music had suggested to them. While there was nothing in the anthems
suggestive of youth, and the burden of the stanzas seemed to divert from
childhood, yet more than half of the two thousand slips returned
attested that the hearer had been reminded of his schooldays and of the
games of childhood; these slips were collected before the congregation
had time to confer. It shows that the music was not in accord with the
words, and that it had greater power upon the mind than the words had.
It proves that, to produce its highest effects, sacred music must
harmonize with the meaning of the words and with the environment. It
also shows that the purpose for which one sings is an important
factor--random vociferations or a display of vocal gymnastics even of
the most cultured kind is both inartistic and unmusical.
These pages have been written to suggest that music is still with the
common people; that the future blessings which mankind shall derive from
musical art and science are probably dependent upon some observant
person who is free from the trammels of misguided and misdirected
culture, and who may come to it with an independent genius, and handle
the subject in the light of every-day common-sense.
III
ORATORY
Oratory has always been a potent influence for good. The printing-press
with its newspapers and magazines and tens of thousands of books has
done much during the past fifty years to draw attention away from
oratory. The printing-press is a huge blessing, and has greatly advanced
during these years that oratory has declined in public esteem or public
attention. But we are learning that there is yet something in the
_living_ man, in his voice and his manner and his mesmeric force, which
cannot be expressed through the cold lead of type. Hence the need for
orators, both men and women, has been steadily increasing during the
past few years, until there seems to be a pressing demand for the
restoration of the science and the art of oratory.
The country lad or the hard-working laborer or mechanic who thinks that
public speaking is beyond his reach has done himself a wrong. It was
such as they who oftener than can be told have become some of the
greatest orators of history. Men who afterward became great as effective
debaters made their first addresses to the cows in the pasture, to the
pigs in pens, to the birds in trees, and to the dog and the cat upon the
hearth. They often drew lessons concerning the effects of their
addresses from the actions of the animal auditors which heard their
talk, and were attracted or repulsed by what they heard and saw.
Public-domain text, read in full here on John Shaqi.
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